对中国当代艺术市场中夏俊娜“明星身份”的思考

发布时间：2018-05-08 21:12

本文选题：明星化现象 + 明星身份冷却　；参考：《东北师范大学》2014年硕士论文

【摘要】：在中国当代社会中造星行为引发的艺术家“明星身份”的问题屡见不鲜。中国当代艺术家“明星化”现象,从产生到冷却的原因是什么?为什么有一批艺术家在艺术市场泡沫中出现火热之后又迅速的消失?这样的现象反应了当代艺术界怎样的社会问题?夏俊娜作为“明星身份”特征的众多艺术家之一,她的身上存在着“明星化”现象的哪些共性和特性?通过以夏俊娜为例,对其作品的形式与内容、思想与情感、作品的艺术市场以及艺术发展中存在的问题等方面进行研究和分析,挖掘当代艺术家的共性问题。当代社会中的造星行为已经严重波及美术界,社会给予夏俊娜的“明星身份”也充分证明了社会对她的承认。此时,“明星身份”的产生是有一定的社会语境的。20世纪90年代初期商业巨浪席卷全国,此时中国从政治社会转向商业社会。85新潮以后我国当代艺术形态发生了重大转变。反教条的自由个体艺术家纷纷出现,时代的开放性为艺术家提供了广阔的生存和发展空间,夏俊娜的步调刚好和这个时代所需要的相吻合。20世纪90年代初期的文化背景是直接构成新生代艺术家兴起的重要条件之一。正如70后典型艺术家夏俊娜,短时间内成为了90年代崛起的新生代艺术明星。活跃的艺术市场为夏俊娜“明星身份”的形成提供了重要的生成条件和生存空间。收藏家开始关注她的个性化形式语言和轻松浪漫的小资情调。2000年的“二十一世纪中国油画展”中夏俊娜成为年龄最小的艺术家,她的烂漫而独特的形式语言、和谐有趣的个性化符号以及纯粹而丰富的绘画风格,引起了当时艺术界的极大关注。2005-2008年期间夏俊娜作品的市场价格在638万,05年她的艺术事业达到巅峰,但在2012年以后她的“明星身份”却陷入冷却。中国当代艺术市场一直在迅速的发展,这种高速的跳跃式发展实际上为以后的艺术家艺术事业的发展埋下不少危机。但金融危机以后,西方不再像以往那样大力追捧中国当代艺术。与20世纪相比,21世纪的艺术市场变得更加多元和复杂。艺术明星已经不能主宰市场。那么艺术市场的主宰者是谁?是收藏家、画廊策展人或经纪人,还是艺术市场投资商。贾方舟说过：“从政治社会转向商业社会这一过程让传统的中国人始料不及,在金钱和物欲的腐蚀之下从政治人摇身一变成了经纪人”,捍卫精神理想和文化价值的知识分子他们的社会地位开始被经济基础左右。在这样不健全的市场操控与冲击下,当代的艺术家如何能走的长远?“明星身份”的艺术家未来的道路该如何去如走?艺术家“明星身份”的冷却又能引发当代艺术界怎样的思考?艺术家们未来的艺术道路应该如何去走呢?针对这些问题笔者在下文中通过以艺术家夏俊娜为例展开讨论,结合艺术家从艺术事业起步、到“明星化”、到“后明星时代”的具体事实,对当代艺术家“明星身份”的冷却这一现象进行研究和分析。
[Abstract]:The problem of "star identity" caused by star creation in Chinese contemporary society is not uncommon. What are the reasons for the "Star" phenomenon of Chinese contemporary artists from generation to cooling? Why is there a lot of artists in the art market bubble and quickly disappear? This phenomenon reacts to contemporary art. What kind of social problems? Xia Junna is one of the many artists of "star identity". What are the commonalities and characteristics of "Star" phenomenon in her body? By taking Xia Junna as an example, the form and content, thought and emotion of his works, the art market of the works and the problems in the development of art are made. Conduct research and analysis to excavate the common problems of contemporary artists.
The star creation in the contemporary society has seriously affected the art world, and the "star identity" of Xia Junna is also fully proved by society. At this time, the emergence of "star identity" was a social context of the.20 century in the early 90s commercial waves swept across the country, and China turned from political society to commercial society.8 at this time. The form of contemporary art in our country has changed greatly after the 5 new tide. The free individual artists of the anti dogma have appeared, and the openness of the times provides a broad space for the survival and development of the artists. Xia Junna's pace just coincides with the needs of this era. The cultural background of the early 90s of the.20 century is a direct form of the new generation. One of the important conditions for the rise of artists, as Xia Junna, a typical artist after 70, became a new generation of art stars in a short period of time in a short period of time. The active art market provided important conditions for the formation and living space for the formation of Xia Junna's "star identity". The collector began to pay attention to her individualized language and light waves. In the "twenty-first Century China oil painting exhibition" in.2000, Xia Jun became the youngest artist in twenty-first Century. Her romantic and unique form language, harmonious and interesting personalization symbols and pure and rich painting style caused the market price of Xia Junna's works during the.2005-2008 period of the time. In the 6 million 380 thousand or 05 years, her artistic career reached its peak. However, after 2012, her "star status" was cooled.
The Chinese contemporary art market has been developing rapidly. This high speed jump development has actually buried many crises for the future development of the artist's art cause. But after the financial crisis, the West no longer vigorously pursued the Chinese contemporary art as in the past. Compared with the twentieth Century, the art market in twenty-first Century has become more pluralistic and complex. Art stars can't dominate the market. So who is the master of the art market? Collector, gallery curator or broker, or art market investor. Jia Fangzhou said, "the process of turning the political society to the commercial society has been unforeseen by the traditional Chinese and shook the political man under the corrosion of money and material desires." The intellectuals who defend their spiritual ideals and cultural values have begun to be on the economic base.
Under such unsound market manipulation and impact, how can contemporary artists take the long term? How can the future road of "star identity" be gone? How can the artist's "star identity" cool down the thinking of the contemporary art world? How should the artist's future art road go? By taking artist Xia Junna as an example, the author discusses and analyzes the phenomenon of the cooling of the "star identity" of the contemporary artist, combining the artists' starting from the art career, to the "Star" and the "post star age".

【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J203

【共引文献】