病态美-“80后”女性画家的绘画语境

发布时间：2018-05-14 11:33

本文选题：“80后” + 女性画家　；参考：《首都师范大学》2014年硕士论文

【摘要】：本文通过对“80后”女性画家所处的时代背景和成长环境进行分析,进一步诠释了她们的绘画作品。由于她们出生在社会制度转型和经济改革的年代,在她们身上具有鲜明的改革开放所带来的时代烙印,她们年轻、不羁、张扬个性、作品更加抒发自我感受。“80后”女性画家大多是独生子女,她们拥有幸福的童年时光,随着社会的急速发展,她们还没来得及思考就被无情的推到了竞争中,面对升学、就业等各种压力。在她们的作品中,人物刻画表面甜美精致,但通常面部没有表情,肤色苍白,眼睛比例偏大,眼角充斥着泪水或红色的血丝,身体瘦弱等等人物特征中暗藏着一种不健康的病态美,因此画面给人一种孤独、害怕、忧郁的气氛,由此来抒发内心世界。本文通过对“80后”女性画家的艺术表现形式和创作态度分析,进一步揭示了“80后”女性画家作品中潜藏的病态美,同时也提出了在今后艺术道路上的反思。
[Abstract]:Based on the analysis of the background and growing environment of female painters after 1980, this paper further interprets their paintings. Because they were born in the era of social system transformation and economic reform, and they have the brand of the times brought about by the reform and opening up, they are young, unruly, and show off their individuality. Most of the post-80s female painters are only children. They have a happy childhood. With the rapid development of society, they have been ruthlessly pushed into competition before they have time to think. Various pressures such as employment. In their works, the characters are painted on a sweet and delicate surface, but usually they have no facial expression, pale complexion, large eyes, and eyes full of tears or red blood. There is an unhealthy and morbid beauty hidden in the characteristics of being thin and weak, so the picture gives a feeling of loneliness, fear and melancholy, thus expressing the inner world. By analyzing the artistic expression and creative attitude of the female painters after the 1980s, this paper further reveals the underlying morbid beauty in the works of the female painters after the 1980s, and at the same time puts forward the reflection on the art road in the future.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J203

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