清末民初广彩瓷上的岭南绘画研究

发布时间：2018-05-14 19:36

本文选题：清末民初 + 广彩瓷器　；参考：《首都师范大学》2014年硕士论文

【摘要】：广彩瓷器是中西文化艺术交流的结晶,自清康熙以来逐步得到发展,成为我国主要的外销瓷品种之一,约在乾隆、嘉庆时期逐渐发展成熟,形成绚彩华丽、金碧辉煌的风格。清末民初时,由于岭南画派以及部分广东地区文人画家参与广彩制作,以及受景德镇浅绛彩瓷以画入瓷的影响,一些带有岭南绘画风格的瓷画逐渐兴起,为广彩瓷绘艺术开辟了一条新的道路。本文根据文献资料及留存实物,主要针对清末民初受岭南绘画影响的广彩瓷器做初步梳理,并试从以下几个部分对其进行分析和探讨：首先,对清末民初时期广彩瓷器及岭南绘画的发展状况进行分析,再对广彩瓷与岭南绘画的联系进行阐述,即论述清末民初广东文人画家参与广彩瓷生产的状况。其次,对广彩瓷上所绘的岭南绘画的基本面貌进行分析,并将受岭南绘画影响的广彩瓷分为花鸟、人物、山水三大类,结合表现内容与形式对其艺术特征进行论述,并将广彩瓷上的岭南绘画与纸绢本的岭南绘画相比对,分析两者的异同,以体现岭南绘画对广彩瓷的影响。再次,对广彩瓷上岭南绘画的价值与其对当时文化艺术、产业经济及政治方面的影响进行分析论述。本文对清末民初时期广彩瓷上的岭南绘画进行研究,凸显其艺术特色,重新审视受岭南绘画影响的广彩瓷在陶瓷史以及绘画史中的地位,同时探讨其对广东地域文化的影响。
[Abstract]:Wide color porcelain is the crystallization of the cultural and artistic exchange between China and the West. It has been developed gradually since Kangxi of the Qing Dynasty and has become one of the main export porcelain varieties in our country. During the Qianlong and Jiaqing periods, the porcelain gradually developed and matured, forming a brilliant style of gorgeous colors and brilliant colors. At the end of the Qing Dynasty and the beginning of the Republic of China, due to the participation of Lingnan painters and some literati painters in Guangdong, as well as the influence of Jingdezhen light crimson colored porcelain painting into porcelain, some porcelain paintings with Lingnan painting style gradually rose. It has opened up a new road for the wide-colored porcelain painting art. According to the literature and material objects retained, this paper mainly deals with the broad color porcelain influenced by Lingnan painting in the late Qing Dynasty and the early Republic of China, and tries to analyze and discuss it from the following parts: first, This paper analyzes the development of wide color porcelain and Lingnan painting in the late Qing Dynasty and the early Republic of China, and then expounds the relationship between the wide color porcelain and the Lingnan painting, that is, the situation of Guangdong literati painters participating in the production of wide colored porcelain in the late Qing Dynasty and the early Republic of China. Secondly, it analyzes the basic features of Lingnan painting, and divides it into three categories: flowers and birds, characters, landscape, and discusses its artistic characteristics in combination with the content and form. In order to reflect the influence of Lingnan painting on the wide colored porcelain, the paper compares the Lingnan painting with the paper seric-based Lingnan painting, and analyzes the similarities and differences between the two. Thirdly, it analyzes the value of Lingnan painting and its influence on culture and art, industry economy and politics. This paper studies the Lingnan painting on the broad colored porcelain in the late Qing Dynasty and the early Republic of China, highlights its artistic characteristics, reexamines the position of the wide colored porcelain influenced by the Lingnan painting in the history of ceramics and painting, and probes into its influence on the regional culture of Guangdong.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

【参考文献】