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油画静物形式语言研究

发布时间:2018-05-15 00:08

  本文选题:油画静物 + 形式语言 ; 参考:《广西师范大学》2013年硕士论文


【摘要】:静物画作为西方绘画体系的重要类别之一而存在,在西方艺术发展史上,每当一个新的艺术语言诞生之时,静物画总是充当了新绘画艺术语言手法实验的角色。静物因其静态的特质,为艺术家自由选择或营造物象,探索绘画语言提供了得天独厚的条件。艺术家在对静物的选择、组合及布置的过程中就已经融入了他的艺术思想和观念,并创造性的运用造型、色彩、肌理、构成等形式语言,创作出具有艺术感染力的油画作品,以传达艺术家的审美意识和内心情感。本文通过对油画静物中具有代表性的作品进行梳理分析,探讨油画静物形式语言的特征。 油画静物语言是油画艺术的一种基础和一种极有魅力的语言形式。油画静物作品在美术史的长河中一直闪耀着他独特的光辉,油画静物作品当中蕴含的真挚而感人的情感因素把画家与爱好向往美的观众紧密的联系起来,从静物到油画的过程就像是从平凡的物质世界寻找不平凡的物质世界的过程,油画静物的历史不仅仅是从审美发展的历史去分析,也不仅仅从油画静物作品中人们意识形态的历史去研究,而更应是从造型的观念和技法材料中形式语言的形成折射出来的感情因素去分析,油画静物画所表现出的真挚情感给观众所带来的精神享受是其它种类的绘画所没有的,这也是静物画静止的特性所决定的。传统油画静物体现的作用就是愉悦人们的审美眼光,装点人们的物质生活。现当代的静物画已拓宽了它的内涵及外延,赋予了一定的历史性、社会性,融入了作者自身的情感和自我意识,于是静物成了作者传达自身的情感和意识观念的一种载体、一种“文本”。 从美学角度而言,油画艺术是对人的才智、能力、意志、情感的自我关照和自我肯定,表现出的是对真、善、美的追求,寄托了自身的理想和情操,而构成作品最重要的因素是画面的形式感,营造形式感的首要因素便是绘画语言的使用,包括表现形式的构成元素、作品的构图技巧、使用的材质肌理、视觉心理感受、审美规律、黑白灰层次及色彩关系等等。油画静物的形式语言是指所有产生视觉的基础,无论是具象、意象、还是抽象的表现方式。可以这么说,形式语言是画家思想情感转化为具体表达方式的一座桥梁,是显现画家艺术智慧和艺术才华的火花,也是作品最终视觉效果的实现方式。本文以绘画“形式”为切入点,从油画静物的产生背景、发展历程入手,对油画静物的形式语言进行探索研究。 本文第一章对“油画静物”进行概述,从“油画静物”的不同时期对其产生和发展的原因及进程进行分析,了解“油画静物”产生的原因和作品的特征,为展开进一步研究奠定基础。 第二章从“油画静物”形式语言中重要的一部分--构图原理进行阐述和分析,并展开由构图所表现出的绘画原理:构图的规律、内涵、形式美进行扩展分析; 第三、四章是本文的核心,第三章从具象、抽象及写意这三种不同的形式语言进行分析,重点从具象写实的形式语言出发,通过对比引申出抽象和写意语言,从笔触、色彩、空间、情感等语言因素分析和总结不同形式语言的魅力。 第四章对油画静物形式语言中所传达的精神和视觉层面所带来的审美价值进行分析,通过全面认识“油画静物”语言,分析架上绘画的美感及独特性,理解它的艺术价值、美学价值等,结合作者对油画静物的实践探索进行分析,透析“油画静物”作品的外在形态及审美取向。
[Abstract]:As one of the most important categories of western painting system , the static painting is one of the most important categories of western painting system . When a new artistic language is born , the static painting always serves as the character of the new painting art language technique experiment . The artist has integrated his artistic ideas and ideas in the process of selecting , combining and arranging the static objects . The artist makes an art - infected oil painting work to convey the artist ' s aesthetic consciousness and inner emotion .


Oil painting is one of the basic and attractive language forms of oil painting art . Oil painting still works in the long river of art history . It is not only from the history of aesthetic development , but also from the history of the formation of the formal language in the material of painting .


From the aesthetic point of view , oil painting art is the self - care and self - affirmation of human ' s intelligence , ability , will , emotion . The most important factor of painting is the use of painting language , including the form of expression , the composition of works , the material texture , visual psychology feeling , the aesthetic law , the black and white gray level and the color relation .


In the first chapter , the author gives an overview of the " oil painting " , analyzes the causes and the process of its production and development from the different periods of " oil painting " , and understands the causes and characteristics of " oil painting " and lays the foundation for further research .


The second chapter expounds and analyzes the principle of painting , which is an important part of the formal language of " oil painting " , and develops the painting principle represented by the composition : the law , the connotation and the formal beauty of the composition ;



In the third chapter , four chapters are the core of this paper , and the third chapter analyzes the three different forms of formal language from the form of writing , abstraction and writing , and analyzes and summarizes the charm of the different forms from the language factors such as stroke , color , space , emotion and so on .


The fourth chapter analyzes the aesthetic value brought about by the spirit and the visual level conveyed in the image of the oil painting , and analyzes the aesthetic feeling and uniqueness of the painting on the shelf by fully understanding the language of the " oil painting " language , analyzes the artistic value and aesthetic value of the painting , and combines the author ' s exploration on the practical exploration of the oil painting , and analyses the external appearance and aesthetic orientation of the works of the oil painting .

【学位授予单位】:广西师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213

【参考文献】

相关期刊论文 前3条

1 吴冠中;;内容决定形式?[J];美术;2010年09期

2 黄雨鸿;靳尚谊;;探索中国油画的精神历程——靳尚谊先生访谈[J];美术之友;2008年01期

3 袁悦;;中西文化融汇语境下的中国写意油画审美内涵研究[J];中南林业科技大学学报(社会科学版);2012年03期



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