论西北地区水彩

发布时间：2018-05-15 00:10

本文选题：西北水彩 + 地域资源　；参考：《西安美术学院》2014年硕士论文

【摘要】：中国的西北地区包括新疆、甘肃、宁夏、青海、陕西横跨五个省区，这里地处我国西北边陲，有着众多的民族和丰富的文化传承。是古代东西文化的交汇处，拥有不同于中国其他地区的特殊地理面貌。把西北五省作为一个区域整体讨论这个地区水彩艺术的发展，主要是基于几方面原因，一是因为西北地区的地域地貌特征。水彩画的起源和发展，都在气候环境相对温暖潮湿的地区，但是西北地区气候干燥，降雨量少，并不适宜水彩画发展，西北地区的水彩画立足在西北地区怎么发展，有什么共性？二是西北地区的整体水彩发展较之东南部地区的落后。对一个画家群体的确认评价以及定位，一般来讲是这个群体本身的耀眼，引得理论家关注和探讨研究之后的肯定。本文研究的意义对于西北水彩艺术来言，是总结西北地区水彩艺术过去发展的总体情况，，力求展现一个完整的西北水彩面貌。提出在当代水彩艺术蓬勃发展的大趋势下，西北地区水彩发展的不足和局限。虽然在过去的时间我们对于西北地区水彩发展没有完整的探讨过，但在21世纪的今天讨论地区、地域性水彩，就是为了西北地区水彩艺术的明天做总结和展望，希望在不久的将来我们西部地区，可以创作出明确的西部样式水彩。本文一共分四个章节，第一章从西北水彩概念的提出出发，先阐明西北地区水彩的提出背景，确立西北地区的区域概念。从历史传承，文化积淀这些角度来确立西北地区五省的区域划分。然后分析西北大美术环境，从西北地区美术发展的大环境入手，梳理近当代西北五省的美术发展进程来呈现西北地区大美术面貌，为西北水彩做一个美术背景构建，最后梳理西北地区水彩的历史发展脉络描绘西北水彩具体的面貌，从水彩艺术进入西北地区一直到当代，提出西北水彩这个概念，分析为什么提出西北水彩这个概念。第二、三章首先分析西北地区地理环境对西北水彩艺术的局限，然后分析具体画家作品的表现手法风格面貌，归纳，总结现当代西北水彩的区域特征。第四章以其他地区水彩发展来对比西北地区水彩艺术发展状况，探寻西北水彩的发展之路。
[Abstract]:The northwest region of China includes Xinjiang, Gansu, Ningxia, Qinghai and Shaanxi. It is located in the northwestern border of China and has a large number of nationalities and rich cultural heritage. East-west culture is the intersection of ancient times, with a special geographical features different from other regions of China. To discuss the development of watercolor art in this area as a whole, the five provinces of Northwest China are mainly based on several reasons, one is the regional geomorphological characteristics of the Northwest region. The origin and development of watercolor painting are in the relatively warm and humid climate. However, the climate in the northwest region is dry and rainfall is low, so it is not suitable for the development of watercolor painting. How to develop the watercolor painting in the northwest region? What do you have in common? Second, the northwest region of the overall watercolor development compared with the southeast region behind. Generally speaking, the recognition, evaluation and orientation of a group of painters is the dazzling of the group itself, which attracts theorists' attention and affirmation after discussing and studying. The significance of this study to the northwest watercolor art is to sum up the general situation of the development of watercolor art in Northwest China, and strive to show a complete northwest watercolor appearance. Under the trend of the flourishing development of contemporary watercolor art, the deficiency and limitation of watercolor development in Northwest China are put forward. Although we have not thoroughly discussed the development of watercolor in the Northwest region in the past, in the 21st century, the discussion area, the regional watercolor, is for the purpose of summing up and looking forward to the future of watercolor art in the Northwest region. Hope that in the near future our western region, can create a clear western style watercolor. This paper is divided into four chapters. The first chapter is based on the concept of northwest watercolor, first of all, it clarifies the background of watercolor in Northwest China, and establishes the regional concept of Northwest China. From the perspective of historical inheritance and cultural accumulation, the regional division of five provinces in Northwest China is established. Then, by analyzing the northwest great art environment, starting with the great environment of the development of the art in the northwest region, combing the fine arts development process of the five contemporary northwest provinces to present the great art appearance of the northwest region, and building an art background for the northwest watercolor, Finally combing the historical development of watercolor in Northwest China describes the concrete features of the Northwest watercolor from the watercolor art into the Northwest to the contemporary put forward the concept of Northwest watercolor and analyze why the concept of Northwest watercolor. Second, the third chapter first analyzes the northwest geographical environment to the northwest watercolor art limitation, then analyzes the concrete painter work expression technique style appearance, induces, summarizes the present and contemporary northwest watercolor regional characteristic. The fourth chapter contrasts the development of watercolor art in Northwest China with the development of watercolor in other regions, and explores the development road of watercolor in Northwest China.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J215

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