说不完、道不尽的《暴风雨》——一个有关名画与阐释难度的个案

发布时间：2018-05-15 17:57

  本文选题：《暴风雨》 + 乔尔乔内　； 参考：《文艺研究》2017年07期

【摘要】：文艺复兴时期威尼斯画派的主将之一乔尔乔内不仅身世不详,而且,当时有关其作品的历史文献亦少之又少,甚至瓦萨利在《名艺术家传》中的相关文字也不完全经得起推敲。因而,其代表作《暴风雨》问世五百多年来引发出形形色色甚至互相冲突的阐释,但是,到目前为止尚没有一种阐释是可以让人完全接受的。乔尔乔内的作品神秘难懂由来已久,而《暴风雨》难解的原因就在于难以确定相关故事的本源。晚近的相关研究在寻找叙事出处以及具体细节的阐释上有所推进,不无启发,但是,也还是无法天衣无缝地解释该杰作的整体含义。本文列举和分析有代表性的若干种阐释意见,同时有针对性地提出一系列的质疑。《暴风雨》一画似乎是个特殊的谜,其阐释的挑战性依然会存在下去。
[Abstract]:One of the main Renaissance Venetian painters, Jorge Gionne, not only had an unknown background, but also had very few historical documents about his works at that time, and even the relevant words of Vasari in the Biography of famous artists did not stand up to scrutiny. For more than 500 years, his masterpiece, the Storm, has given rise to various and even conflicting interpretations, but so far, none of them is completely acceptable. The mystery of Joel Gionne's works is long-old, and the reason why the Storm is difficult to understand is that it is difficult to determine the origin of the story. The recent research on the source of narrative and the interpretation of specific details has been promoted, not without inspiration, but still can not seamlessly explain the overall meaning of the masterpiece. This paper enumerates and analyses some representative views of interpretation and puts forward a series of questions. A picture of "Storm" seems to be a special mystery, and the challenge of its interpretation will remain.
【作者单位】： 上海美术学院;北京大学艺术学院;
【分类号】：J205
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本文编号：1893338