郭熙《早春图》的空间表现技法研究

发布时间：2018-05-15 23:15

本文选题：早春图 + 郭熙　；参考：《扬州大学》2014年硕士论文

【摘要】：五代北宋是中国山水画的全盛时期,此时的山水画通常会表现一些极似真实性的场景如同还原了自然界中某一部分,但这些景致又是意造的,它的表现并不符合真实的客观规律,这种亦真亦幻的画面效果,很大程度上取决于空间技法的把握与运用。在山水画的进程中,空间理论发展以及对山水画创作的影响和贡献是值得我们去研究的,理论中的哪些内容会对山水画空间表现产生影响,或者是山水画理论反映了山水画中空间表现的哪些特点,这些都是本文重点关注的地方。《早春图》是此时最具代表性的作品,其空间表现技法的多样性成为了本文的研究对象。在研究中发现,画面中具体的物象表现对画面空间产生了极其重要的作用,而笔墨技法则相对次要,这种现象有违人们对山水画的一般认识,本文将对这两种表现方法做具体的论述。论文采用了文献研究和图像对比研究的方法,以郭熙《早春图》中的物象元素为研究对象,结合郭熙的绘画思想、艺术风格分析了郭熙《早春图》空间表现技法的运用,并使之成为空间表现的个案研究。此外,在山水画中常提及的“三远法”、“散点透视法”等空间表现理论,并没有在《早春图》的空间表现中起到明显作用。对于探索传统山水画的空间表现我们不能只局限于理论的研究上,而应多角度关注绘画作品本身,这种观念也是笔者通过本文想传递给读者的。
[Abstract]:The Northern Song Dynasty of the five dynasties was the heyday of Chinese landscape painting. At this time, the landscape painting usually showed some scenes which were very similar to reality as if they had restored a certain part of nature, but these landscapes were created by the will. Its performance does not accord with the objective law of reality, and this kind of picture effect, which is also true and illusory, depends to a great extent on the grasp and application of spatial techniques. In the process of landscape painting, the development of space theory and its influence and contribution to landscape painting creation are worthy of our study. Or the theory of landscape painting reflects the characteristics of space performance in landscape painting, which are the focus of this paper. Early Spring Pictures is the most representative works at this time, and the diversity of its spatial representation techniques has become the object of this paper. In the study, it is found that the concrete image expression in the picture plays an extremely important role in the picture space, while the brush and ink technique is relatively secondary. This phenomenon is contrary to the general understanding of landscape painting. This article will make the concrete elaboration to these two kinds of expression methods. This paper adopts the methods of literature research and image contrast study, taking the image elements in Guo Xi's "early Spring Picture" as the research object, and combining Guo Xi's painting thought, analyzes the application of Guo Xi's "early Spring Picture" space expression technique. And make it a case study of spatial expression. In addition, the theory of spatial representation, such as "three far method" and "scattered point perspective", which is often mentioned in landscape painting, has not played an obvious role in the space expression of "early spring map". To explore the space performance of traditional landscape painting we can not only focus on theoretical research but should pay more attention to the painting itself. This concept is also the author of this article to pass on to the reader.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】