论莫奈油画中的东方情趣

发布时间：2018-05-16 21:12

本文选题：莫奈油画 + 东方情趣　；参考：《江苏师范大学》2013年硕士论文

【摘要】：人类对于未知的事物永远充满了好奇心。不论是东方人，还是西方人，都神往于遥远、陌生、神秘而新奇的异国风情。曾任北京大学校长的蔡元培先生说过：“艺术是唯一的世界性语言。”而这种世界性语言的对话，即东西方艺术的交流与融合，可以突破种族、地域、宗教的界限，从而促进人类文明的繁荣，带动东西方文化的共同发展与进步。莫奈是19世纪欧洲最具有影响力的画家之一，他在油画创作方面取得的成就是大家公认的，，在莫奈的油画中我们不仅能看到西方印象派对“光与色”的追求，同时也能看到具有东方情趣的题材、构图、色彩、笔触……本文研究的就是莫奈油画中的东方情趣，希望通过对莫奈画中所蕴含的东方情趣的深入剖析，以小见大，看到不同文化背景下产生的不同绘画艺术，在艺术风格交流上，审美品格交融上的可能性。本文首先论述莫奈与东方艺术的情缘所在,即日本浮世绘艺术对莫奈绘画的直接影响、莫奈绘画与中国传统绘画在表现手法上的共通之处，通过论述莫奈与以中、日为主的东方文化艺术存在的情缘,为下文具体论述莫奈油画中的东方情趣具体表现埋下伏笔。其次，借助莫奈几幅具有代表性的油画作品来具体地对莫奈绘画中的东方情趣进行解析与论述。最后，得出结论，从莫奈的画中我们看到了东西方文化的完美交流与融合，这个启示也为我国当代油画的创新发展提供了参考。
[Abstract]:Man is always curious about the unknown. Whether Orientals or Westerners, they are attracted to distant, strange, mysterious and novel exotic customs. Mr. Cai Yuanpei, a former president of Peking University, said: "Art is the only world language." This kind of dialogue of world language, that is, the exchange and fusion of eastern and western art, can break through the boundaries of race, region and religion, thus promote the prosperity of human civilization and promote the common development and progress of eastern and western cultures. Monet is one of the most influential painters in Europe in the 19th century. His achievements in oil painting are universally acknowledged. In Monet's paintings, we can not only see the pursuit of "light and color" by Western impressionists. At the same time, you can also see the subject matter, composition, color, brush strokes with oriental interest. This article studies the oriental interest in Monet's oil painting. I hope that through the in-depth analysis of the oriental interest contained in Monet's paintings, I can see the whole through a small part of it, see the different painting arts produced under different cultural backgrounds, and communicate with each other in artistic styles. The possibility of blending aesthetic character. This paper first discusses the relationship between Monet and oriental art, that is, the direct influence of Japanese picturesque on Monet's painting, the common point between Monet painting and Chinese traditional painting, and discusses Monet and Chinese painting. The existence of oriental culture and art, mainly in Japan, lays the groundwork for the concrete expression of oriental interest in Monet's oil painting below. Secondly, with the help of Monet's several representative oil paintings, the oriental interest in Monet's paintings is analyzed and discussed in detail. Finally, the conclusion is drawn that we have seen the perfect communication and fusion of eastern and western cultures from Monet's paintings, which provides a reference for the innovation and development of contemporary oil painting in China.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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