朱瞻基花鸟画研究

发布时间：2018-05-16 22:10

本文选题：朱瞻基 + 花鸟画　；参考：《淮北师范大学》2017年硕士论文

【摘要】：历代帝王中雅好丹青的颇多,明代的第五位皇帝朱瞻基就是其中一位,但在画史上为后人所熟知的却仅是北宋的宋徽宗赵佶,朱瞻基的艺术才能却容易被忽略。朱瞻基不仅在政治上是一位有作为的皇帝,在位期间出现了明代著名的“仁宣之治”的盛况,而且还是为杰出的帝王画家,在中国绘画史上是一位重要的人物。据明姜绍书《无声诗史》一书中对朱瞻基的记载:“帝天藻飞翔,雅尚词翰,尤精于绘事,凡山水人物花竹翎毛,无不臻妙”。可见朱瞻基对山水、人物、花鸟草虫无所不能。从其流传下来的存世作品来看,花鸟画占据很大的比例,说明了他对花鸟画一科的热爱。他在花鸟画方面取得的艺术成是毋庸置疑的,对花鸟画的发展与成熟做出了一定的贡献。他的绘画虽属院体画风,却突破了以往院体花鸟画的工笔形态,而是更加趋向粗放的写意性。由于他对绘画艺术的钟爱与审美追求,也使明代院体画开始呈现出多样化的风格面貌。如工笔重彩,没骨设色,工写结合,水墨写意的不同形态。可以说他对后期写意花鸟画的发展起到了推波助澜的作用,是中国写意花鸟画发展历程中的一个关键性人物。本文重点论述朱瞻基的花鸟画艺术,主要从以下几个方面来分析。首先探讨了他的生平,具体阐述了他的早期成长经历与其接受的特殊的皇家教育方式与此后的帝王生涯,并分析这些因素与他的绘画艺术之间的关联性。接着分析了他的花鸟画艺术风格,主要从绘画语言特色和审美特征两方面来论述。然后进一步分析这种绘画风格形成的因素,主要从主客观两方面展开讨论,客观方面从他所处的社会文化背景,师承渊源,及朱元璋审美观延续的影响来论述。主观方面从他自身的个性特征和深厚的文化修养进行分析。然后又将他与历史上著名的帝王花鸟画艺术进行比较,进一步说明他的艺术特征。最后阐述了他的花鸟画对后世的影响,一方面是对明代绘画的影响,另一方面是对现代花鸟画创作产生的启示。
[Abstract]:There are many emperors in history, among them Zhu Zhiji, the fifth emperor of Ming Dynasty, is known only to the Song Huizong Zhao Ji in the history of painting, but his artistic ability is easy to be ignored. Zhu Qianji was not only a political emperor, but also an important figure in the history of Chinese painting. According to the Ming Dynasty Jiang Shao book "A History of Silent Poems," Zhu Qiangji was recorded: "Emperor Tianzao flies, elegant still ci Han, especially good at drawing things, all landscape figures flower bamboo feathers, all wonderful." It can be seen that Zhu Qiangji is omnipotent to mountains and rivers, people, flowers, birds and insects. According to his surviving works, flower-and-bird painting occupies a large proportion, which shows his love for a subject of flower-and-bird painting. His artistic achievements in flower-and-bird painting are beyond doubt, and he has made some contributions to the development and maturity of flower-and-bird painting. Although his painting belongs to the style of the courtyard style, it breaks through the traditional style of fine brushwork of the flower and bird painting, but tends to extensive freehand brushwork. Because of his love for painting art and aesthetic pursuit, it also began to show a variety of styles of painting in Ming Dynasty. Such as fine brushwork color, no bone color, the combination of work and ink brushwork, different forms of freehand brushwork. It can be said that he played an important role in the development of freehand brushwork, and was a key figure in the development of Chinese freehand brushwork. This paper focuses on Zhu Zhiji's flower-and-bird painting art, mainly from the following aspects to analyze. First of all, it discusses his life, expounds his early growing up experience, his special royal education and his later imperial career, and analyzes the correlation between these factors and his painting art. Then it analyzes his artistic style of flower and bird painting, mainly from two aspects of painting language characteristics and aesthetic characteristics. Then it further analyzes the factors of the formation of this painting style, mainly from the subjective and objective aspects of the discussion, and objectively from his social and cultural background, the origin of the teacher, and the impact of the continuation of Zhu Yuanzhang aesthetic. Subjective aspects from his own personality characteristics and profound cultural training to analyze. Then compare him with the famous imperial flower and bird painting art to further explain his artistic characteristics. At last, it expounds the influence of his flower-and-bird painting on the later generations, on the one hand, on the Ming Dynasty painting, on the other hand, on the inspiration to the creation of modern flower-and-bird painting.
【学位授予单位】：淮北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【相似文献】