明清之际西洋画法对景德镇青花画法的影响

发布时间：2018-05-16 22:10

  本文选题：明清之际 + 西洋　； 参考：《考古与文物》2017年04期

【摘要】：西洋画法在明末被引进中国,景德镇青花画工为表现光影转变的西洋画法而创新出一些画法。因为康熙和雍正的喜好,国画和官民窑青花瓷上大量使用西洋画法;由于乾隆的反感和指示,高光画法被从国画和青花瓷上除去。
[Abstract]:Western painting was introduced into China at the end of Ming Dynasty, and Jingdezhen blue and white painters innovated some painting methods in order to show the change of light and shadow. Because of the preference of Kangxi and Yongzheng, Western painting was widely used in traditional Chinese painting and blue and white porcelain of Guanmin Kiln. Because of Qianlong's antipathy and instructions, the high light painting method was removed from traditional Chinese painting and blue and white porcelain.
【作者单位】： 北京师范大学历史学院;
【基金】：“国家社会科学基金重大项目《非洲出土中国古代外销瓷与海上丝绸之路研究》”(项目批号:15ZDB057)的资助
【分类号】：J21;K876.3
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本文编号：1898619