现代黑白木刻表现形式研究

发布时间：2018-05-19 18:01

本文选题：现代 + 黑白木刻　；参考：《延边大学》2014年硕士论文

【摘要】：黑白木刻艺术历史悠久,其制作方法相对其他版种简易,表现语言多样而深受广大艺术创作者的喜爱,但随着时代的发展,新的版种及其艺术种类不断出现,使得传统的黑白木刻版画愈加边缘化,黑白木刻版画的传统制作方式与新科技的矛盾也日益呈现,以传播印刷为主的黑白木刻已经退出历史舞台,其角色也在发生着变化,这就给现代黑白木刻提出了新的要求。黑白木刻在继承传统木刻艺术的基础上,又要创新其艺术表达形式,诸如在创作主题、传达观念、制作手段等这些方面进行与时俱进的改进,这就要求我们充分理解现代黑白木刻的表现形式,发现其本质的魅力,从中不断提取和探究黑白木刻版画适应现代环境的根本元素,从而创作出更加具有时代性的木刻版画。本论文主要对现代黑白木刻中点、线、面、阴阳刻等多样的表现形式进行了具体研究,采用典型性的名家作品综合分析其表现特性,针对性的分析其独特的艺术魅力。本论文的第一章绪论部分主要阐述了课题背景、研究目的及意义、研究内容及方法；第二章主要讲述了现代黑白木刻的概念界定及其特点和发展过程；第三章结合具体的作品论述了现代黑白木刻的表现形式,从“点”、“线”、“面”、“阴刻、阳刻”四个方面进行分析,结合版画中独有的黑白灰关系和处理方式,再加上自己在创作中的感受和体验,多角度分析木刻艺术的创作形式；第四章对本论文进行总结和对未来黑白木刻艺术发展做出了展望。黑白木刻版画中的点、线、面的具体表现形式是需要不同种刀具来展现的,不同的刀具展现出的艺术效果不一,还有其独到的阴刻和阳刻的制作手段,这些因素造就了黑白木刻版画视觉语言的独特性。这种形式语言的唯一性也表明了黑白木刻版画的不可替代性,在黑白之间创作无限的遐想。在木版画的创作过程中,不论是创作手段和表达方式都在随着时代发生转化,制作版画群体的范围在不断大众化、画面语言不断多样化、画面主题不断个性化和隐喻化等。黑白木刻从继承到模仿再到现代创新的个性化,离不开时代背景的因素,也离不开艺术家们对其刻苦钻研的创新。
[Abstract]:Black and white woodcut art has a long history, its production method is relatively simple, the expression language is diverse and deeply loved by the majority of art creators, but with the development of the times, the new edition species and its art types appear constantly. As a result, the traditional black-and-white woodcut prints have become more marginalized, and the contradiction between the traditional production methods of black-and-white woodcut prints and the new technology is increasingly emerging. The black-and-white woodcut, which is mainly spread and printed, has withdrawn from the historical stage, and its role is also changing. This puts forward new requirements for modern black and white wood carving. Black and white wood carvings on the basis of inheriting the traditional woodcut art, but also to innovate its artistic expression form, such as in the creation of the theme, convey ideas, production means and other aspects of the improvement with the times. This requires us to fully understand the manifestation of modern black-and-white woodcut, find its essence of charm, and constantly extract and explore the basic elements of black-and-white woodcut prints to adapt to the modern environment, so as to create a more contemporary woodcut printmaking. This paper mainly focuses on the modern black and white woodcut of the middle point, line, face, Yin and Yang engraving and other diverse forms of expression of specific research, the use of classic masterpieces comprehensive analysis of its performance characteristics, targeted analysis of its unique artistic charm. The first chapter introduces the background of the subject, the purpose and significance of the research, the content and method of the research, the second chapter mainly describes the definition of modern black and white wood carving, its characteristics and development process. The third chapter discusses the expression form of modern black-and-white woodcut in combination with concrete works. It analyzes the four aspects of "dot", "line", "face", "Yin engraving, Yang carving", and combines the unique black and white grey relation and processing method in print. In addition, his own feelings and experience in the creation, multi-angle analysis of woodcut art creation form; the fourth chapter summarizes this paper and the future development of black-and-white woodcut art made a prospect. In black-and-white woodcut prints, the specific forms of expression of points, lines, and surfaces need different kinds of cutting tools to show. Different cutters exhibit different artistic effects, as well as their unique means of making Yin and Yang carvings. These factors create the uniqueness of the visual language of black and white woodcut prints. The uniqueness of this formal language also shows that black-and-white woodcut prints are irreplaceable, creating infinite reverie between black and white. In the process of woodcut creation, both creative means and expression methods are changing with the times, the range of the group of printmaking is constantly popularizing, the language of the picture is diversifying, the theme of the picture is becoming individualized and metaphorical, and so on. Black and white wood carvings from inheritance to imitation to modern innovation personalized, can not do without the background of the times, but also inseparable from the artists to its assiduous innovation.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217

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