光影在水墨人物画中的运用与研究

发布时间：2018-05-19 20:05

本文选题：水墨人物画 + 光影　；参考：《湖南师范大学》2014年硕士论文

【摘要】：水墨人物画中的光影运用主要从发展过程的三个不同阶段,来梳理与分析其产生、存在、发展的状况。光影在现代水墨人物画中的运用,是如何以“传承与融合”的方式进行改良；而对当下的水墨人物画,又是如何运用光影来体现画家的艺术风格。面对这些问题,就要对光影在水墨人物画中运用原因、审美形式以及运用后会产生哪些得与失等方面进行综合分析与科学研究。因此,本文主要以水墨人物画光影的运用为主线,以部分水墨人物画家的作品解读为辅线,来论述光影在水墨人物画中的具体运用。通过本文的研究表明：光影在水墨人物画中的运用过程,它既受时代背景下的影响、传统姊妹艺术改革新空气的影响以及多元化审美需要的影响；又在艺术手法上、结构形式上、色彩表现上所呈现不同的审美内涵,并在创作过程中既有得,也有失；也具有传神表意、机趣天然、和谐统一与巧夺天工的审美形式,是艺术人物形象的内在精神和画家本身思想感情的统一,这种统一既深刻烙印了中国水墨人物画的曲折、复杂的演进轨迹,又深刻烙印了西方艺术对其产生的影响后的创新求变过程。在其过程中,将产生水墨画家是如何借鉴与吸收,以及自己在创作中又是如何进行表现与运用等问题。因此,本人力求在水墨人物画的创作过程中,由受制于纯粹的“笔墨结构”到可以充分运用“光影”的转换,并以光影的视觉形态,来确立一种具有本人特色的水墨人物画的艺术风格。
[Abstract]:The use of light and shadow in ink figure painting mainly from the three different stages of the development process to sort out and analyze its production, existence, development of the situation. How to improve the use of light and shadow in modern ink figure painting, and how to use light and shadow to reflect the artist's artistic style. In the face of these problems, it is necessary to make a comprehensive analysis and scientific research on the reasons for the use of light and shadow in the ink figure painting, the aesthetic form and what gains and losses will result from the application. Therefore, this paper mainly takes the use of the light and shadow of the ink figure painting as the main line, with the interpretation of some of the works of the figure painter as the auxiliary line, to discuss the specific application of light and shadow in the figure painting. Through the research of this paper, it is shown that the application process of light and shadow in the ink figure painting is not only influenced by the background of the times, but also influenced by the influence of the new air of the traditional sister art reform and the diversified aesthetic needs, as well as the influence of the artistic techniques. In terms of structure, color expression presents different aesthetic connotations, and in the process of creation, there are both gains and losses, as well as vivid ideas, natural interests, harmony and unity, as well as beautiful aesthetic forms. It is the unity of the inner spirit of the artistic figure image and the artist's own thoughts and feelings. This unity not only deeply imprints the twists and turns of the Chinese ink figure painting, but also the complicated evolution track. It also deeply imprints the process of innovation and change after the influence of western art on it. In the process, there will be some problems such as how to draw lessons from and absorb by the ink painter, and how to express and apply it in his own creation. Therefore, I strive to change from pure "brush and ink structure" to making full use of "light and shadow" in the creative process of ink figure painting, and use the visual form of light and shadow. To establish a unique artistic style of ink figure painting.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】