论薛稷的书画艺术及其影响

发布时间：2018-05-19 21:11

本文选题：薛稷 + 书画艺术　；参考：《山西大学》2013年硕士论文

【摘要】：薛稷为初唐书法家,画家。他出生于官宦世家,这种优越的家庭环境为他的成才奠定了基础。薛稷外祖父魏征家富收藏虞世南、褚遂良等书家书迹,他锐精临习,后形成自己的书法特色,因其书法瘦劲,被后世誉为“唐初四家”之一；其绘画善画花鸟、人物、杂画,尤以画鹤著称,因其画鹤出众,后人谈画鹤必称稷。他在书画发展方面做出了重要贡献。基于这样一位身份特殊,贡献卓越的历史人物,本文将运用文献学、图像学、比较分析等方法对薛稷的书画艺术及其影响进行研究。对于薛稷的书法研究主要从他的楷书方面进行,以其早期的《升仙太子碑阴题》、晚期成熟的《信行禅师碑》为研究对象,从其师承关系、书法艺术特点等方面进行研究。绘画重点从薛稷最擅画的鹤题材谈起,主要从文献着手探讨其绘画特点,进而论述薛稷的书画艺术影响。研究表明,薛稷的瘦硬体影响了宋徽宗的“瘦金体”,而瘦金体又影响了此后众多书家,形成了一种书体脉络的延续发展；薛稷以其画鹤专长影响了唐代的蒯廉,五代的黄筌,黄筌又影响了各代鹤题材的画家和学习者,对当时宫廷绘画(主要是画鹤方面)也形成一种传递式的影响。从这种大跨度的链条式影响角度来看,薛稷的书画艺术对当时以及后代书画艺术的发展产生了较为深远的影响。本文的创新点重在尽可能全面地揭示薛稷在历史中的地位和作用。以此弥补当今书画史对于薛稷的艺术认知在不同程度上的缺失。
[Abstract]:Xue Ji was a calligrapher and painter in the early Tang Dynasty. He was born in the official family, this superior family environment for his talent laid the foundation. Xue Ji's grandfather, Wei Zheng, was a rich collector of calligraphers such as Yu Shinan, Chu Suiliang, and so on. He was keen to learn and later formed his own calligraphy characteristics. He was praised as one of the "four families in the early Tang Dynasty" for his thin calligraphy, and his paintings were good at painting flowers and birds, characters, and miscellaneous paintings. Especially famous for painting cranes, because of their paintings of cranes outstanding, future generations of painting cranes must be called grass. He made important contributions to the development of painting and calligraphy. Based on such a special identity and outstanding contribution of historical figures, this paper will use philology, graphics, comparative analysis and other methods to study Xue Ji's calligraphy and painting art and its influence. The study of Xue Ji's calligraphy is mainly carried out from his regular script, taking his early title of the Prince of the ascendant and the late mature tablet of Xinxing Zen Master as the object of study, from the aspects of his teacher-bearing relationship, the characteristics of calligraphy art, and so on. The focus of painting is from the subject matter of the crane that Xue Ji is the most good at painting, and mainly discusses the characteristics of his painting from the literature, and then discusses the influence of Xue Ji's calligraphy and painting art. The study shows that Xue Ji's thin hardware influenced the "thin gold body" of the Song Huizong, and the thin gold body influenced many calligraphers since then, forming a continuation and development of the style of calligraphy; Xue Ji influenced Kuai Lian in the Tang Dynasty and Huang Quan in the five dynasties with his expertise in painting cranes. Huang Quan also influenced the artists and learners of various generations of cranes, and also formed a kind of transmission influence on court paintings (mainly on the painting of cranes) at that time. From the perspective of this kind of long span chain influence, Xue Ji's painting and calligraphy art had a profound influence on the development of painting and calligraphy art at that time and later generations. The innovation of this paper is to reveal the position and function of Xue Ji in history as comprehensively as possible. In order to make up for the contemporary calligraphy and painting history of Xue Ji's artistic cognition in varying degrees.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】