水彩画中树的表现难度探究
发布时间:2018-05-20 12:31
本文选题:水彩风景 + 树 ; 参考:《湖南师范大学》2013年硕士论文
【摘要】:作为自然界中最常见的事物,树不仅与生命的存在息息相关,在艺术表现领域,它也是占有着十分重要的地位。艺术家们常常通过对树的描绘,或是表达自己对大自然的热爱之情,或是抒发对故土的思念之感,从绘画作品欣赏者的角度来看,绘画作品中对树的表现也能够使人们得到了美的享受和熏陶,提高人们的审美情趣,对于培养人们热爱自然、崇尚自然的意识观念也有着积极而广泛的意义。水彩画作为十九世纪末从西洋传人我国的舶来品,在短短一百年间,有着十分迅速的发展,在我国深得人民大众的喜爱,无论是在描绘静物,人物还是风景方面,她都有着自己特有的长处以及其他画种所无法比拟的独特魅力,尤其是在水彩风景的表现方面更是如此。树作为水彩风景中常见的表现元素之一,其在水彩风景画中的地位自然也是不言而喻的。但是从实践等方面的经验来看,对水彩风景的学习者来说,不经过长期认真的观察和努力的练习,要想画好水彩风景中的树则不是一件简单容易的事。本文写作的目的,就是要通过分析当前水彩风景教学中画树所存在的一些难点、问题和现状,提出自己的观点和看法,为解决水彩风景教学中的这类问题提供一些参考。同时也希望自己的这些思考能够为当前的美术教育工作起到一点促进作用。 本文主要从关键词——树的表现难度这一问题出发,通过对当前水彩风景教学中学生在树的表现方面的现状、树的各部分表现难度的综合阐述,结合传统国画中对画树的研究,同时也通过对水彩名家作品的解析以及结合自己的创作体会,来具体指出画树的难点所在,进而通过分析画树的一些内在规律,使学习者能够对水彩风景中树的表现有所重视,在实践中做到心中有数。此外,更重要的是本文希望能够通过对实践的总结和对理论的概括,提出一些想法和解决的方案,为读者解决这类问题起一些抛砖引玉的作用。最后,希望本文能够为画树这一在水彩风景表现中存在的现实问题提供一些有价值的参考和借鉴。
[Abstract]:As the most common thing in nature, the tree is not only closely related to the existence of life, but also occupies a very important position in the field of artistic expression. The artists often express their love for the nature by depicting the trees, or express their feeling of thinking of the earth, from the perspective of the artists of the paintings. Look, the performance of the tree in the painting can also make people enjoy the beauty and edify, improve people's aesthetic taste, to train people to love nature, to advocate the consciousness of nature also has a positive and extensive significance. As the late nineteenth Century, water color painting from the western people of our country, in a short period of one hundred years, there are ten. The rapid development, in our country deeply loved by the people, whether in the portraying of still life, characters or landscape, she has its own unique strengths and the unique charm that other paintings can not compare, especially in the performance of watercolor scenery. The status of watercolor landscape painting is natural and self-evident. But from the experience of practice and other aspects, it is not a simple and easy task to draw a good tree in watercolor scenery without long and serious observation and hard work. The purpose of this writing is to analyze the current water. Some difficulties, problems and present situation of painting trees in the teaching of color scenery are put forward and their views are put forward to provide some reference for solving these problems in the teaching of watercolor landscape, and also hope that their thinking can play a role in promoting the current art education.
This article is mainly from the key words - the problem of the performance of the tree, through the present situation of the performance of the middle school students in the watercolor landscape teaching, the difficulty of the performance of each part of the tree, the study of the painting trees in the traditional Chinese painting, and the analysis of the works of the famous watercolors and the combination of their own creation. It will point out the difficulties of drawing trees, and then analyze the inherent laws of the tree drawing, so that the learners can pay more attention to the performance of the tree in the watercolor landscape, and make a good idea in practice. In addition, it is more important that this article hope that some ideas and Solutions can be put forward through the summary of practice and the generalization of the theory. In the end, I hope this paper can provide some valuable reference and reference for the realistic problems in the performance of watercolor landscape.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J215
【共引文献】
相关期刊论文 前1条
1 阿荣;;试论风景画教学中自然规律与艺术表现的统一性[J];大众文艺;2014年20期
,本文编号:1914630
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