当代精神语境下的工笔画
发布时间:2018-05-20 12:57
本文选题:当代精神 + 工笔画 ; 参考:《中央美术学院》2013年硕士论文
【摘要】:在当下新的时代特征和绘画视语言的表现中,图像视觉冲击作用不容忽视,传统中国工笔画的呈现形式在各种绘画图像的传播中视觉冲击力较弱。水色石色的三矾九染的传统单一的技法形式已严重制约了当代工笔画的发展。受西方绘画的影响,中国工笔画家在传统与当下,东方经验与西方观念的之间企图寻找新的契合点。西方多种绘画观念、技法材料的涌现为传统工笔画的发展创新提出了新的思考,工笔画首先在绘画观念上突破传统,将个人当下的生活体验与感触,画家个人生存状态诉诸于画面,表现内容有了很大的变化。任何一件艺术作品都无法脱离材料而单独呈现,作品材质的差异首先成就了艺术作品的差异。当代工笔画在传统材料中融入了多种绘画媒介,进行了诸多新技法的实验,新的绘画表现形式层出不穷,工笔画中人工矿物色,金属材料被广泛运用。绘画内容和材料的丰富,使传统色彩不能满足当代中国绘画的要求,西方绘画基础训练的色彩观察方式和绘画色彩系统成为当代中国画家的潜在修养,绘画用色有很大的突破,西方印象派绘画的色彩体系、装饰设计色彩系统也常用于当代工笔绘画中。观念、材料、色彩在中国绘画上的拓展必然带来当代工笔绘画在绘画空间、画面构成形式上的大的突破。本文从工笔画的观念、材料、色彩、构成等方面展开论述,分析例证了当代精神语境下的工笔画。
[Abstract]:In the present new era characteristics and the performance of painting visual language, image visual impact can not be ignored, the traditional Chinese fine brushwork presentation form in the transmission of all kinds of painting image visual impact is relatively weak. The traditional single technical form of water-colored stone-colored three-alum nine-dyed has seriously restricted the development of contemporary fine brushwork. Influenced by western painting, Chinese painters try to find new points of convergence between tradition and present, oriental experience and western ideas. The emergence of a variety of Western painting concepts, techniques and materials put forward new thinking for the development and innovation of traditional meticulous painting. The painter's individual living state appealed to the picture, the performance content had the very big change. No work of art can be presented independently of the material, and the difference in the material of the work is the first achievement of the difference of the work of art. Contemporary fine brushwork in traditional materials into a variety of painting media, carried out many new techniques of experiments, new painting forms emerge in endlessly, meticulous painting artificial mineral color, metal materials are widely used. The richness of painting content and materials makes the traditional color can not meet the requirements of contemporary Chinese painting. The basic training of western painting color observation method and painting color system become the potential cultivation of contemporary Chinese painters, and there is a great breakthrough in the use of painting color. Western Impressionist painting color system, decorative design color system is also often used in contemporary fine brushwork painting. The development of ideas, materials and colors in Chinese painting will inevitably lead to a great breakthrough in the painting space and the form of picture composition of contemporary meticulous brushwork painting. This paper discusses the concept, material, color and composition of fine brushwork, and analyzes and exemplifies the meticulous painting in the context of contemporary spirit.
【学位授予单位】:中央美术学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212
【共引文献】
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1 许婧;;浅议中国现代设计对中国文化的传承[J];艺术与设计(理论);2009年06期
相关博士学位论文 前1条
1 尚莹辉;新时期中国重彩艺术语言研究[D];天津大学;2010年
相关硕士学位论文 前7条
1 李军;水墨画当代艺术表现的多元性存在[D];中央美术学院;2008年
2 王雪莹;三个语境 六位画家[D];山东师范大学;2008年
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4 林璐;山本耀司服装设计本土化特征研究[D];北京服装学院;2008年
5 李洁;基于不同历史环境下岩彩画及其教学的文化理解[D];厦门大学;2009年
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7 黄三胜;虚境[D];中央美术学院;2013年
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