方君璧油画艺术研究

发布时间：2018-05-21 01:29

本文选题：方君璧 + 油画艺术　；参考：《浙江理工大学》2014年硕士论文

【摘要】：方君璧(1898-1986)是20世纪中国一位重要却又身份特殊的女画家，是第一位留学法国学习西画的中国女性。伴随着中国近代“美术革命”思潮的发生，方君璧开始探索“中西融合”的绘画风格，其油画风格中西兼容，既有西方油画语言的纯正和厚重，又能表达出浓厚的东方文化意蕴，在画坛颇具影响力。因政治原因，1949年后久居海外，，方君璧的艺术成就被湮没于历史中，不为国内艺术界熟知。方君璧的艺术生涯近70年，旺盛的创作精力、良好的艺术修养、勇敢的艺术创新精神、忠于主观艺术感受的创作态度，以及在逆境中也不间断对艺术的不懈追求，不仅保证了其油画作品的厚度，更具备深刻的文化意义。这篇文章主要从四个章节对方君璧的油画艺术展开研究。第一章以20世纪初期中国的留学风潮情况和方君璧家族的留学经历为背景，结合方君璧生活所处的特殊政治氛围，系统梳理了其油画艺术成长的地域及文化背景。第二章深入研究方君璧的油画艺术实践经历，分析其艺术创作风格转变的基本规律。方君璧一生的生活经历复杂曲折，包括她的艺术道路。虽然方君璧“中西融合”的艺术理念经历着不断的变化和修整，却从未间断。根据其艺术创作的时间、地域，以及风格转换可分为三个阶段——“中西融合”的艺术创作启蒙期、探索期和发展期。第一阶段启蒙期，主要包括方君璧西方学院派写实主义技法的基础训练以及其“西中融东”的创作实践；第二阶段方君璧在与国内画派、艺术社团的交流中，逐步完成由生硬移植到成熟驾驭中西油画艺术语言的探索过程。第三阶段主要研究方君璧建国后定居海外期间“中西融合”艺术实践经历和观念的发展过程，重点研究其创作思路和画面意蕴。第三章主要从文化、审美等角度对方君璧油画人物、油画风景及静物进行深刻剖析，揭示其艺术创作观念和创作规律。文章第四章从艺术发展的角度揭示方君璧油画艺术的内涵及文化意义。艺术具有多元化的文化特质，兼容并蓄和独树一帜是艺术发展的基本动力，通过系统研究，笔者认为方君璧的油画实践是对中西艺术融合一种有价值的探索，其油画艺术对我国文化发展、艺术建设、文化传播都有积极而广泛的作用。
[Abstract]:Fang Junbi (1898-1986) is an important and special female painter in China in the 20th century, and the first Chinese woman to study western painting in France. With the emergence of the trend of thought of "art revolution" in modern China, Fang Junbi began to explore the painting style of "Chinese and Western integration", whose oil painting style is compatible with Chinese and Western, and has the purity and thickness of western oil painting language. Can also express a strong Eastern cultural implications, in the painting world quite influential. Due to political reasons, after 1949 long overseas, Fang Junbi's artistic achievements were lost in history, not well known in the domestic art world. Fang Junbi's artistic career is nearly 70 years old, with vigorous creative energy, good artistic accomplishment, brave artistic innovation spirit, a creative attitude loyal to subjective artistic feelings, and unceasing pursuit of art in the face of adversity. It not only guarantees the thickness of his oil paintings, but also has profound cultural significance. This article is mainly from the four chapters of the oil painting art of the other gentleman. The first chapter, based on the situation of studying abroad in China in the early 20th century and the experience of Fang Junbi's family, combing the special political atmosphere of Fang Junbi's life, systematically combs the regional and cultural background of his oil painting art growth. The second chapter deeply studies Fang Junbi's oil painting practice experience and analyzes the basic law of his artistic creation style change. Fang Junbi's life experience is complicated and tortuous, including her art path. Although the artistic concept of Fang Junbi's integration of China and the West has undergone constant changes and refinements, it has never been interrupted. According to the time, region and style change of its artistic creation, it can be divided into three stages: the enlightening period of artistic creation, the period of exploration and the period of development. The first stage of enlightenment mainly includes the basic training of Fang Junbi's realism techniques of Western academicians and his creative practice of "melting the West from the Middle to the East". In the second stage, Fang Junbi communicates with the painting schools and art societies in China. Gradually complete the process from hard transplantation to mature control of Chinese and Western oil painting art language exploration process. The third stage mainly studies the development process of the artistic practice and concept of "Chinese and Western Integration" during the period of Fang Junbi's settling overseas after the founding of the people's Republic of China, with emphasis on his creative ideas and picture implication. The third chapter mainly from the cultural, aesthetic and other perspectives of the other side of the oil painting characters, oil painting scenery and still life to carry on the profound analysis, reveal its artistic creation idea and creation law. The fourth chapter reveals the connotation and cultural significance of Fang Junbi's oil painting from the angle of artistic development. Art has diversified cultural characteristics, inclusive and unique is the basic driving force for the development of art. Through systematic research, the author thinks that Fang Junbi's oil painting practice is a valuable exploration for the integration of Chinese and Western art. The art of oil painting plays an active and extensive role in the development, construction and dissemination of Chinese culture.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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