中国当代写意油画研究

发布时间：2018-05-21 02:11

本文选题：中国当代 + 写意油画　；参考：《广西师范大学》2013年硕士论文

【摘要】：油画作为外来艺术形式,在中国百余年的历史过程中,中国本土化问题一直没有停止过探索,特别是对油画写意性的表现,取得了令人瞩目的成就。20世纪初,当油画刚从西方传入中国时,主要表现形态是写实的、具象的具有现实主义精神的,20世纪中期学习苏俄油画,接受现实写实主义,主要服务于政治,有着很大的局限性,写实具象油画一直占据着美术的统治地位,风格观念和形式陈旧与单一。改革开放后,由于经济的发展和人们视野的开拓同时中国当代油画所面临的问题越来越突出,针对中国油画的出现的种种问题,许多艺术家开始了新的探索,中国油画本土化,民族化,成为美术界关注的问题。随着中西方交流的机会逐渐增多,欧洲油画的各种流派、艺术思潮涌入中国,油画创作在中国蓬勃地发展起来,国外各种艺术流派和创作形式的作品得到了解禁,给中国油画家提供了越来越多接触与了解西方艺术流派的机会,提出“追求艺术个性”。近几年来中国油画界提出了油画本土化与民族化,促使中国油画趋向多元化与个性化。可以更好地将其作为自己改变艺术风格和更新创作思维的参照。本文就是以“中国传统绘画”为切入点,以历史学、文献学和社会文化学为主要研究方向,从“文人画”、“意象"产生的历史背景入手,站在当代文化的高度,审视20世纪早期至中国改革开放初期“写意油画”的发展过程、审美价值。本文第一章对“写意油画”产生和发展的基础与条件以及作品进行分析,了解“写意油画”产生的原因和探索过程,为展开进一步研究奠定基础。第二章从思想特征和审美价值来分析“写意油画”的地域文化。从语言、视觉、精神几个角度来具体探讨“写意油画"的美学价值。第三章、第四章是本文的核心内容,第三章用地域文化性探索“写意油画”的民族、文化、时代价值及对“写意油画”的展望,找到当代“写意油画"之间承前启后的关系,分析地域文化价值内涵。通过全面认识“写意油画”,理解它的地域文化价值、艺术本质价值、美学价值等,以及它在中国美术历程中的独特价值。通过分析“写意油画”作品的创作思想、审美取向等从中折射出油画的价值趋向和未来发展方向,同时对于我们油画创作具有一定的参考和借鉴意义。
[Abstract]:Oil painting as a form of foreign art, in the history of China for more than 100 years, China's localization has not stopped exploring, especially to the oil painting freehand brushwork performance, has made remarkable achievements in the early 20th century, When oil paintings were introduced into China from the West, the main forms of expression were realistic. The realistic spirit of oil painting in the middle of the 20th century to study Soviet Russian oil painting, accept realism, mainly serve in politics, has great limitations. Realistic oil painting has always occupied the dominant position of art, style concept and form old and single. After the reform and opening up, because of the development of economy and the development of people's vision, the problems faced by contemporary Chinese oil painting are becoming more and more prominent. In view of the problems of Chinese oil painting, many artists have begun new exploration, Chinese oil painting localization. Nationalization has become an issue of concern to the fine arts community. With the increasing opportunities of communication between China and the West, all kinds of European oil painting schools, art trends of thought poured into China, oil painting creation flourished in China, foreign art schools and forms of works were lifted. It provides more and more opportunities for Chinese oil painters to contact and understand Western art schools, and puts forward the pursuit of artistic individuality. In recent years, Chinese oil painting circles put forward the localization and nationalization of oil paintings, which promote the diversification and individualization of Chinese oil paintings. It can be better used as a reference for changing artistic style and renewing creative thinking. This article takes "Chinese traditional painting" as the starting point, takes history, philology and social culture as the main research direction, starts with the historical background of "literati painting" and "image", and stands at the height of contemporary culture. This paper examines the development process and aesthetic value of freehand brushwork from the early 20th century to the early stage of China's reform and opening up. The first chapter analyzes the foundation and condition of the production and development of "freehand brushwork oil painting" and works, understands the causes and exploration process of "freehand brushwork oil painting", and lays a foundation for further research. The second chapter analyzes the regional culture of freehand brushwork oil painting from its ideological characteristics and aesthetic value. This paper discusses the aesthetic value of freehand brushwork from language, vision and spirit. Chapter three, Chapter four is the core content of this paper. Chapter three explores the nationality, culture, epochal value and prospect of "freehand brushwork oil painting" with regional culture, and finds out the relationship between the past and the future of the contemporary "freehand brushwork oil painting". Analyze the connotation of regional cultural value. Through a comprehensive understanding of "freehand brushwork oil painting", understand its regional cultural value, artistic essence value, aesthetic value, and its unique value in the course of Chinese art. Through the analysis of the creative thought and aesthetic orientation of "freehand brushwork", it reflects the value trend and future development direction of oil painting, and also has certain reference and reference significance for our oil painting creation.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

【参考文献】