对中国当代风景油画用“线”的研究

发布时间：2018-05-21 16:03

本文选题：线条 + 风景油画　；参考：《重庆师范大学》2014年硕士论文

【摘要】：克罗齐说“：使艺术具有轻盈灵活的符号的,并不是思想,而是情感被包进表象之内的灵感——这就是艺术。”[1]而“线”的运用，是艺术家表达艺术形象时最直接的方法。 “线”艺术的表达既古典又非常现代，它不仅能最直接地划定范围构成艺术形象，还能够比较准确地表达出物象的意味，因此，“线”也可以说是一种体现艺术家情感的符号。“线”作为绘画语言的重要载体，也是绘画作品中最基本的视觉元素，古往今来它都有着极其重要的作用，从抽象绘画先驱瓦西里·康定斯基《点、线到面》一书中便可以看出。不论是中国传统山水绘画还是中国当代风景油画艺术，“线”这一角色在其中的作用一直以来都备受推崇。画家、视觉心理学家以及艺术理论家对于“线”的研究和探索都从未停止。中西方传统绘画中的“线”各有特色，前者主要表达画家本人的主观情感，而后者则偏重于客观事物的观察与描绘。由此可见，“线”不仅仅是画面表现的操作技巧和技术手段，还是艺术家表达内心世界的一种方式。因此，对于“线”的研究是很有必要的。中国当代艺术尤其是风景油画作品中，以“线”为主要造型手段的画家不在少数。文章将从“线”的概念、文化背景以及“线”与绘画的关系展开来写，重新审视“线”艺术在中国当代风景油画领域独特的审美价值。第三、四章是文章的核心部分，第三章主要论述中国当代风景油画语境里的“线”，通过剖析以“线”造型的中国当代风景油画家的绘画语言及艺术风格，阐述“线”在中国当代油画发展中的状态。并着力分析中国当代风景油画以“线”造型的原因，总结出“线”在中国当代风景油画中的价值与情感。第四章主要是对中国当代风景油画用“线”的思考，以及对中国当代风景油画的展望。 “线”在中国当代风景油画中的应用如此普遍，其原因不仅是受中国传统山水画理念，以及外来文化的影响，也是当代风景油画家对中国传统山水画精神的继承与高度发扬。因此，对于“线”的研究意义尤为重大。另外，文章选取中国当代风景油画这一视角来分析研究“线”语言，也是对中国当代风景油画中“线”运用规律的摸索，为今后的艺术创作打下坚实的基础。
[Abstract]:Croce said: "it is not thought that gives art light and flexible symbols, but the inspiration that emotion is embedded in the representation-that is art." [1] and the use of "line" is the most direct way for artists to express their artistic image. The expression of "line" art is not only classical but also very modern. It can not only directly delimit the scope of art image, but also express the meaning of object image more accurately. Therefore, "line" can also be said to be a symbol of the artist's emotion. As an important carrier of painting language, "Line" is also the most basic visual element in painting works. It has played an extremely important role from ancient to modern times, from the abstract painting pioneer Vasily Kandinsky < point, Line to face can be seen in a book. Whether Chinese traditional landscape painting or Chinese contemporary landscape painting art, the role of "line" has always been highly respected. Painters, visual psychologists and art theorists have never stopped studying and exploring the line. The "lines" in Chinese and western traditional paintings have their own characteristics. The former mainly expresses the subjective feelings of the painter himself, while the latter emphasizes on the observation and description of objective things. Thus, the line is not only the technique and technique of picture expression, but also a way for artists to express their inner world. Therefore, the study of "line" is very necessary. In Chinese contemporary art, especially in landscape oil paintings, there are not a few painters who take line as the main means of modeling. This article will start from the concept of "line", the cultural background and the relationship between "line" and painting, and re-examine the unique aesthetic value of "line" art in the field of Chinese contemporary landscape oil painting. The third chapter is the core part of the article, the third chapter mainly discusses the "line" in the context of Chinese contemporary landscape oil painting, and analyzes the painting language and artistic style of Chinese contemporary landscape oil painters with "line" modeling. This paper expounds the state of line in the development of contemporary Chinese oil painting. The reason of "line" modeling in Chinese contemporary landscape oil painting is analyzed, and the value and emotion of "line" in Chinese contemporary landscape oil painting are summarized. The fourth chapter is mainly to the Chinese contemporary landscape oil painting "line" thinking, as well as to the Chinese contemporary scenery oil painting prospect. The application of "Line" in Chinese contemporary landscape painting is so common, not only because of the influence of Chinese traditional landscape painting concept and foreign culture, but also because of the inheritance and development of the spirit of Chinese traditional landscape painting by contemporary landscape oil painters. Therefore, the study of "line" is of great significance. In addition, the article chooses the Chinese contemporary landscape oil painting angle of view to analyze and study the "line" language, also is the exploration to the Chinese contemporary scenery oil painting "line" the application rule, lays the solid foundation for the future artistic creation.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

【参考文献】