油画人物写生之“似与不似”
发布时间:2018-05-27 14:26
本文选题:油画人物 + 写生 ; 参考:《安徽师范大学》2014年硕士论文
【摘要】:我们完成了一件油画写生作品时,会发现这样一个现象,我们往往听到最直接的评价就是画的“像与不像”,我们有时会不自觉的以为“像”就是画的好,“不像”就是画的不好。这是一种鉴赏绘画作品最直观的方式,而这种评价在油画人物写生方面更为显著。而这种像与不像的观看鉴赏方式很容易让人想到齐白石说过的那句话”绘画妙在似与不似之间”那到底是“像”即“似”更为重要还是“不像”即“不似”更为重要呢?随着经济的发展,我们接触到绘画的流派越来越繁多。我们的眼界不断的开阔了,但似乎手上的绘画功夫还跟不上我们所看到的,我们越来越追求自由,在艺术领域中尤为显著。油画人物写生发展到今天,出色的人物写生形象也并非没有,,但是总是觉得大众在像与不像上太过专注,这需要我们对绘画理论有所了解和深入。 而油画人物写生中“不似之似”表现在画面上有很多种方法。 这其中包括外在的技法方面和画家内在的情感方面,也就是“似与不似”的外在表现和内在表现。技法类的外在表现需要的是对绘画基础性的掌握,表现在画面上多是比例结构空间色彩方面。而关于画家的内心方面就是内在的不似却不是任何人都能有所成就,这就需要更多的理论充实。
[Abstract]:When we finish a painting, we find this phenomenon, we often hear the most direct evaluation is the painting of "like and not like," we sometimes unconsciously think that "like" is a good painting. "not like" is not a good picture. This is the most intuitive way to appreciate paintings, and this evaluation is more prominent in painting sketches. And it's easy to think of Qi Baishi's saying that "painting is between likeness and non-likeness," which is more important than "like" or "not like"? With the development of economy, we come into contact with more and more schools of painting. Our horizons continue to widen, but it seems that the hand of painting is not keeping up with what we see, we are increasingly pursuing freedom, especially in the field of art. Oil painting has developed to today, the outstanding figure sketch image is not without, but always feel that the public in the image and not like too much attention, which requires us to understand and deepen the theory of painting. In oil painting, there are a lot of ways to show the "unlikeness" in painting. This includes the external technique and the painter's inner emotion, that is, the external expression and the internal expression of "likeness and non-likeness". The external representation of techniques needs to master the basis of painting, which is mostly in the aspect of space color of proportional structure. But on the painter's inner side is the inner but not anyone can achieve, which requires more theoretical enrichment.
【学位授予单位】:安徽师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J213
【参考文献】
相关期刊论文 前2条
1 李克;;中国美术百年变革中的“写实”研究[J];东岳论丛;2009年10期
2 贾武明;;浅析中国新写实油画[J];美术大观;2009年08期
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