抗战时期重庆地区版画创作研究

发布时间：2018-05-28 04:35

本文选题：抗战时期 + 重庆地区　；参考：《重庆师范大学》2017年硕士论文

【摘要】：二十世纪三十年代前期,鲁迅在中国新文化运动左翼文学运动中扮演主将的同时,也肩负推动新兴版画运动的重任。抗日战争全面爆发后,新兴版画运动中心从上海往西迁移,逐渐形成了两大版画体系,一个是重庆为中心的大后方,另一个是以延安为中心的边区。1942年1月3日,中国木刻研究会在重庆诞生,研究会以重庆总会为中枢,各地方的分会纷纷呼应,进而急讯进展成为一场遍及全国的气势磅礴的艺术运动。这一时期,以木刻为代表的进步美术运动空前繁荣,在我国新兴版画史上写下了绚丽的篇章。抗战时期重庆地区版画创作以传扬抗战精神为基本主线;以重庆为中心的大后方为主要舞台。在宣传鼓舞、抨击敌方、战事民众、后方建设等四大创作题材整理与提炼下,运用浪漫主义、现实主义的艺术表现形式,以刻刀为工具,形象地反映战争,表达版画艺术工作者对人生、社会的认识和情感,宣扬天下兴亡、匹夫有责的爱国精神,共抵外敌的大局观念,百折不屈的坚胜信念,不惧强暴、浴血奋战的英雄气概,奋发图强、独当一面的民族意志,除恶扬善、维护和平的人类主张,给人们以艺术精神力量的版画创作。从抗战时期重庆地区版画创作题材、艺术表现的形成的过程梳理,到自我版画创作实践,不仅是对从“五四”新文化运动启蒙中对美术变革理解,同样也是在为人民服务和争取民族解放的革命美术之路上,木刻版画艺术在重要历史成就的中扮演着革命先锋角色的一次全新认识。
[Abstract]:In the early 1930s, Lu Xun played the leading role in the left-wing literary movement of the Chinese New Cultural Movement, but also shouldered the important task of promoting the emerging print movement. After the outbreak of the War of Resistance against Japan, the center of the emerging print movement moved westward from Shanghai and gradually formed two major print systems, one being the rear area with Chongqing as the center, and the other being the border area with Yan'an as the center. On January 3, 1942, China Wood carving Research Association was born in Chongqing, the research association with the Chongqing General Assembly as the center, local chapters have echoed, and then the rapid development of a nationwide momentum of the art movement. In this period, the progressive art movement represented by wood carvings flourished, and a splendid chapter was written in the history of new prints in China. During the War of Resistance against Japan, the creation of prints in Chongqing took spreading the spirit of the War of Resistance as the basic thread and taking Chongqing as the center of the rear area as the main stage. Under the arrangement and refinement of the four major creative themes of propaganda and encouragement, attacking the enemy, the people in the war, and building the rear, the art forms of romanticism and realism are used to vividly reflect the war with a knife as a tool. To express the knowledge and feelings of printmakers on life and society, to preach the patriotic spirit of rising and falling in the world and equal responsibility, to reach the overall interests of the foreign enemy, to be unyielding and firm in their conviction of victory, not to fear rape, and to fight heroically in a bloody battle. Strenuous, unique national will, to eliminate evil and promote good, maintain peace of human opinion, give people with artistic spiritual force of print creation. From the subject matter of prints creation and the forming process of artistic expression in Chongqing area during the Anti-Japanese War period, to the practice of self-engraving, it is not only to understand the art reform from the enlightenment of the May 4th New Culture Movement. It is also a new understanding of the revolutionary art of serving the people and fighting for national liberation, and the woodcut art plays a revolutionary vanguard role in the important historical achievements.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

【参考文献】