试析金农艺术中的“雅”与“俗”

发布时间：2018-05-28 05:05

本文选题：金农 + 扬州八怪　；参考：《西安美术学院》2017年硕士论文

【摘要】：金农被许多人称为“扬州八怪”之首,他博学多才,喜爱金石字画,工于诗文书法,文学造诣与个人修养很高。五十岁时开始作画,基于其深厚的文化底蕴,将诗书画融为一体,终成一代大家。康乾盛世,扬州地区盐商的兴起使市场异常活跃,在这种背景下,金农为了求得生存,顺应了市场要求,将作画自娱与作画娱人相结合,使书画作品商品化。这一行为打破了传统文人画中“以画为业则陋”的观念,也冲击了传统文人画中的雅俗观,金农艺术中的“雅”和“俗”相互交融,更是达到了雅俗共赏境界。而金农自身是一个具有傲骨品行之人,他的画面中常常显现出冷逸的文人气质,本文将重点分析他在绘画市场兴起的条件下,其绘画中的“雅”与“俗”。本文分为三个部分,首先从金农艺术中的“雅”入手,叙述金农审美之雅、画面审美之雅、格调之雅,由此举例说明金农艺术的“雅”在何处;第二个部分主要说明其艺术中的“俗”,从作品的题材、种类、画面等方面入手,纵横比较后说明金农艺术“俗”于何处;本文最后一部分雅俗共赏章节总结出金农艺术中的“雅”与“俗”对后世产生的影响,以及当今绘画作品对其雅俗观继承与发展所具有的普遍意义。
[Abstract]:Jin Nong was called "Yangzhou eight strange" by many people, he learned many talents, love stone calligraphy, works in poetry and calligraphy, literary attainments and personal cultivation is very high. He began painting at the age of fifty, and based on his profound cultural background, he merged poetry, calligraphy and painting into a whole generation. The rise of salt merchants in Yangzhou made the market extremely active in the prosperous period of Kang and Qian. In this background, Jinnong, in order to survive, complied with the requirements of the market, combined painting and painting entertainment with people, and made the calligraphy and painting works commercialized. This behavior breaks the concept of "painting is humble" in traditional literati painting, and also impinges on the concept of elegance and vulgarity in traditional literati painting. "elegance" and "vulgarity" in Jinnong art blend with each other and reach the realm of common appreciation of elegance and folklore. Jin Nong himself is a person with good character, his paintings often show a cool literati temperament, this article will focus on his painting in the rise of the conditions, his painting in the "elegant" and "vulgar". This article is divided into three parts. Firstly, starting with the "elegance" in Jinnong art, the author narrates the elegance of Jinnong's aesthetics, the aesthetic elegance of the picture and the elegance of the style, thus illustrating the location of the "elegance" of Jinnong art. The second part mainly explains the "vulgarity" in his art, starting with the subject matter, the kind, the picture and so on, and explains where the "vulgarity" of Jinnong art lies after the vertical and horizontal comparison. The last part of this paper summarizes the influence of "elegance" and "vulgarity" in Jinnong art on later generations, and the universal significance of the inheritance and development of the concept of elegance and vulgarity in today's painting works.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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