工笔画中的装饰性浅议

发布时间：2018-05-28 07:04

本文选题：工笔画 + 装饰性　；参考：《首都师范大学》2014年硕士论文

【摘要】：工笔画是中国绘画的主要形式之一,与写意画相对应。在几千年的发展过程中,传统工笔画创造出了辉煌的成绩。装饰性主要指的是一种美学上的趣味,在艺术家进行创作的过程中,作品中有意或无意会体现出时代的审美潮流,甚至是艺术家个人的美学趣味。装饰性存在于不同形式的艺术作品中,并在其中发挥着大小不一的作用。工笔画中装饰性已有悠久的发展历史,可以说是工笔画与生俱来的特质。在中国,从史前岩画到原始的陶器绘画,从战国两汉时期的帛画到魏晋以来的人物山水,再到今天的现代工笔画,装饰性表现语言无处不在。但值得注意的是,绘画在诞生伊始,并不是一项独立存在的艺术门类。关于绘画的产生,艺术史界众说纷纭,有巫术说、劳动说、游戏说,等等。可以肯定的是,在很长一段时期内,绘画是作为器物的附属而存在的,绘画行为并不是一项独立的活动。在不断的绘画积累中,先民们逐渐将自己的审美情趣注入绘画,使其在满足既定功能的基础上,具有了装饰的美感。作为中国画的两大门类,工笔画与写意画有着明显的不同,工笔画以工整细致为主要特色,而写意画以“笔不到而意到”取胜；工笔画以精细勾勒的线为主,而写意画推崇水墨晕染；工笔画的画面效果是平面的,而写意画在无意间营造出纵深的意境……线性的绘画、平面化的造型效果等,这些都是营造装饰性效果的必要元素,也是工笔画的明显特征。可以说,工笔画以其独特的技法、技巧,使中国画的语言脱离贫乏,尤其是在提升装饰性方面为中国画的创作打开了一扇门。进入新时代,工笔画从逐渐衰落的境遇中开始了新的发展历程,对传统的继承与创新是当代工笔画发展中所要面对的首要问题。当代工笔画发展借鉴了外来艺术的装饰元素,将其融入中国传统绘画语言中,为工笔画注入了现代气息。中国绘画是内容与形式的统一,学习传统并发掘时代的审美变迁,工笔画才能做到形式美与时代精神的结合。在传统工笔画的基础上,当代工笔画已呈现出不同于传统的视觉感受和内在感情,在变幻莫测的现代社会背景下,工笔画的发展还有待探索。
[Abstract]:Fine brush painting is one of the main forms of Chinese painting, corresponding to freehand brushwork. In the thousands of years of development process, the traditional fine brush painting created brilliant results. Decoration mainly refers to an aesthetic interest. In the process of artists' creation, the aesthetic trend of the times, or even the individual aesthetic interest of the artists, is either intentionally or unintentionally reflected in the works. Decorative works exist in different forms of art, and play a role of different sizes. Decorative painting has a long history of development, can be said to be the inherent characteristics of fine brushwork. In China, from prehistoric rock paintings to primitive pottery paintings, from silk paintings in the warring States and Han dynasties to the landscape since the Wei and Jin dynasties, and to modern meticulous paintings today, decorative expression languages are everywhere. But it is worth noting that painting was not an independent art category at the beginning of its birth. There are different views on the emergence of painting, such as witchcraft theory, labor theory, game theory, etc. To be sure, for a long time, painting existed as a subsidiary of objects, and painting behavior was not an independent activity. In the accumulation of painting, the ancestors gradually injected their aesthetic taste into painting, so that they had the aesthetic feeling of decoration on the basis of satisfying the established function. As two major categories of Chinese painting, fine brushwork and freehand brushwork are obviously different. Fine brushwork is the main feature of fine brushwork, while freehand brushwork is mainly characterized by "pen is not enough to be willing to win." Freehand brushwork canonized ink painting dizziness; the picture effect of fine brush painting is flat, and freehand brushwork creates a deep artistic conception in an unintentional way. Linear painting, flat modeling effect and so on, these are necessary elements to create decorative effect, but also the obvious characteristics of fine brushwork. It can be said that, with its unique techniques and skills, the language of Chinese painting out of poverty, especially in the promotion of decorative aspects for the creation of Chinese painting opened a door. Entering the new era, the fine brushwork has begun a new development process from the gradual decline of the circumstances, the inheritance and innovation of the traditional painting is the most important problem in the development of contemporary fine brushwork. The development of contemporary fine brushwork draws lessons from the decorative elements of foreign art and integrates it into the traditional Chinese painting language, which infuses modern flavor into the fine brushwork. Chinese painting is the unity of content and form, study tradition and explore the aesthetic changes of the times, fine brushwork can achieve the combination of formal beauty and the spirit of the times. On the basis of traditional fine brushwork painting, contemporary fine brushwork painting has presented different visual feelings and internal feelings from the traditional ones. Under the background of unpredictable modern society, the development of fine brushwork painting has yet to be explored.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】