丢勒肖像画艺术语言研究

发布时间：2018-05-28 07:13

本文选题：文艺复兴 + 肖像画　；参考：《渤海大学》2013年硕士论文

【摘要】：丢勒的肖像画无论是在德国绘画史上还是西方肖像画历史上都具有相当重要的地位，他不仅是后世肖像画家难以企及的高峰，也是美术理论中关注度极高的研究对象。因此，对丢勒的肖像画艺术进行深入的理解、分析对于当代的肖像画创作和理论研究仍具有很重要的现实意义。欧洲的文艺复兴发生在14至16世纪的意大利，如果不参照意大利，那么德国的艺术史就无从下手。文艺复兴的本意是指古希腊和古罗马文化的“再生”和“复活”，但德国没有可供复兴的传统。不过从文艺复兴反对神权，尊重人权，追求世俗的快乐这个层面来说，德国的美术在16世纪受到了文艺复兴的强烈影响，出现了繁荣的景象，一时名家辈出;丢勒就是其中的代表人物。论文的第一章对肖像画做了简单的陈述，主要是对古代传统肖像画的审美标准做一个简单的叙述；论文的第二章，论述了丢勒肖像画艺术语言的美学成因，分析了丢勒肖像画艺术语言形成的外部条件和内部条件。外部条件即客观原因是德国特殊的地理环境和意大利文艺复兴的影响；内部条件即主观原因是德国绘画的民族性格以及丢勒本人的精神诉求。第三章是本文的重点，论述了丢勒肖像画艺术语言在其作品中的具体体现和精神实质；并运用比较的方法论，举图例，将丢勒同时代的画家拉斐尔和荷尔拜因的肖像画作品和丢勒的肖像画作品进行对比研究。这种比较不仅可以在不同的艺术家中间，也可以在丢勒本身的艺术个性中有所启发，德国艺术的深沉和博大，到了丢勒这里就变成了矛盾要素的内在统一，而丢勒肖像画艺术语言的具体体现是：第一，重视表达人物的内心世界；第二，丝毫毕现的写实精神；第三，沉着的色彩；第四，对北方绘画传统的继承和对南方绘画优点的吸收；第五，，丢勒肖像画艺术语言中的宗教情感和自我审视。第四章从发展的眼光来看，对德国的肖像绘画进行纵向的审视，来研究丢勒肖像画艺术语言对后世的影响和启发。
[Abstract]:Duller's portraits have a very important position in both the history of German painting and the history of western portraits. He is not only the peak of the later generation portrait painters, but also the object of high attention in the art theory. Therefore, it is still of great practical significance for contemporary portrait creation and theoretical research to deeply understand the art of Dudler's portraits. The Renaissance in Europe took place in 14-16 th century Italy, without reference to Italy, German art history can not be done. The Renaissance was meant to refer to the "regeneration" and "resurrection" of ancient Greek and Roman cultures, but Germany had no tradition of revival. However, from the aspect of opposing theocracy, respecting human rights and pursuing secular happiness, the art of Germany was strongly influenced by Renaissance in the 16th century. Deller is one of them. The first chapter of the thesis makes a simple statement of the portrait painting, mainly a simple description of the aesthetic standards of the ancient traditional portrait painting, the second chapter discusses the aesthetic causes of the artistic language of Deller portrait painting, This paper analyzes the external and internal conditions for the formation of the artistic language of Dudler's portraits. The external condition is the objective reason which is the special geographical environment of Germany and the influence of the Italian Renaissance; the internal condition is the subjective reason is the national character of the German painting and the spiritual appeal of Dudler himself. The third chapter is the focus of this paper, discusses the artistic language of Dudler portrait in his works and the spiritual essence, and uses comparative methodology, citing legend, A comparative study of Duller's contemporary painters Raphael and Holbein's portraits and Duller's portraits. This comparison can be inspired not only by different artists, but also by the artistic personality of Deller itself. The depth and breadth of German art has turned into an internal unity of contradictory elements here. And the concrete embodiment of the artistic language of Douler's portrait painting is as follows: first, attaching importance to expressing the inner world of the characters; second, showing the realistic spirit in the slightest; third, being calm in color; fourth, The inheritance of northern painting tradition and the absorption of the advantages of southern painting; fifthly, religious feelings and self-examination in the artistic language of Douler portraits. The fourth chapter from the perspective of development, the portrait painting in Germany longitudinal examination, to study the influence and inspiration of Deller portrait art language to later generations.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

【共引文献】