内蒙古少数民族题材中国画创作的艺术特点分析

发布时间：2018-05-28 09:21

本文选题：内蒙古中国画 + 少数民族题材　；参考：《西北民族大学》2014年硕士论文

【摘要】：内蒙古少数民族题材中国画自诞生以来,以其独具特色的地域性民族风情受到了人们的关注。它的发展主要经历自治区成立到文化大革命结束后的初创期,改革开放以来到上世纪八十年代末的发展期以及九十年代初至今的拓展期。从最初简单质朴的以叙事性为主的绘画风格过渡到以描绘草原风情为主的充满抒情性的艺术风格,直至二十一世纪以来向着多元化的趋势发展。本文从衣、食、住、行以及精神文化方面阐述了内蒙古少数民族题材中国画的表现内容,在描述草原民族物质和精神生活的基础上列举描绘同一场景的少数民族题材作品,并试着加以评析。简要概括了这一题材三种主要的艺术表现手法：从写实、意象夸张以及装饰方面入手,分别叙述了风格相吻合的艺术家的作品以及表现方式。并结合少数民族题材绘画谈论了内蒙古地区中国画目前的现状以及所遇到的问题,展望未来会继续向着多元化的趋势发展。本文的目的是通过探索内蒙古少数民族题材中国画的发展,分析作品内容和艺术表现形式,研究其所遇到的问题和未来发展趋势,在此过程中得以更多的了解这一题材的绘画,为内蒙古地区美术的传承和发展,尽一份微薄的力量。
[Abstract]:Since its birth, Inner Mongolia ethnic minority theme Chinese painting has attracted people's attention for its unique regional national customs. Its development mainly experienced the initial period after the establishment of the autonomous region and the end of the Cultural Revolution, the development period from the reform and opening up to the end of the eighties of the last century and the expansion period from the beginning of the 1990s to the present. From the simple and simple painting style mainly to the narrative painting style to the lyrical art style of describing the grassland style, until the 21 century towards the trend of diversification. From the aspects of clothing, food, housing, transportation and spiritual culture, this paper expounds the performance of Chinese paintings of ethnic minorities in Inner Mongolia. On the basis of describing the material and spiritual life of the grasslands, it lists the works of minority subjects depicting the same scene. And try to evaluate it. This paper briefly summarizes the three main artistic expression techniques of this subject: from the aspects of realism, image exaggeration and decoration, respectively narrates the works and expression methods of the artists whose styles are consistent with each other. The paper also discusses the present situation and problems of traditional Chinese painting in Inner Mongolia, and looks forward to the trend of diversification in the future. The purpose of this paper is to explore the development of Chinese paintings on minority subjects in Inner Mongolia, to analyze the contents and artistic forms of works, to study the problems encountered and the future development trend, and to understand more about the painting on this subject in the process. For the inheritance and development of fine arts in Inner Mongolia, contribute to a modest strength.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【相似文献】