当前位置:主页 > 文艺论文 > 绘画论文 >

中国现代黑白木刻插图(连环画)艺术风格演变研究

发布时间:2018-05-29 21:42

  本文选题:黑白木刻插图(连环画) + 艺术风格 ; 参考:《云南艺术学院》2013年硕士论文


【摘要】:历史走到今天,以图画为主的视觉艺术得到了空前的发展,我们不知不觉的深陷“读图世界”。视觉符号不仅取得了文化的中心地位,而且还渐渐形成了某种“霸权”。在读图时代,大量的文学作品转型成图文结合的读物。在色彩缤纷的今天,插图(连环画)以各种形式展现给观众,黑白木刻作为插图(连环画)的一种表现形式,以其“刚健”、“质朴”的美学风味独占鳌头,给观赏者以不同口味的“美食”。中国现代史黑白木刻创作史的重要阶段,本文通过研究中国现代黑白木刻插图(连环画)史,把各个时期的黑白木刻插图(连环画)的历史背景、艺术家及作品进行了清晰、系统的介绍和分析。在每个时期的黑白木刻插图(连环画)分析中,运用了美学的思想,结合了当代观赏者的眼光,做了详细的解析和思考。总结了黑白木刻插图(连环画)作为基础性艺术对于艺术家的作用以及黑白木刻插图(连环画)的独特魅力。对于目前整体文化呈现出的中西融合的趋势,提出了如何在中西审美文化冲击下找到适合自己的发展之路,并进一步挖掘消费中国传统的审美文化精神,进而适应大众审美趣味,实现艺术本土化发展的目标。
[Abstract]:With the development of visual art based on pictures, we are unconsciously trapped in the world of reading pictures. Visual symbols have not only acquired the central position of culture, but also gradually formed some kind of hegemony. In the time of reading pictures, a large number of literary works were transformed into a combination of pictures and texts. In today's colorful days, illustrations (comic strips) are shown to the audience in various forms. Black and white wood carvings are regarded as a form of expression of illustrations (comic strips), with their "vigor" and "simplicity" as the leading aesthetic flavor. A "delicacy" that gives the viewer a variety of tastes. By studying the history of black-and-white woodcut illustrations (comic books) in Chinese modern history, this paper clarifies the historical background, artists and works of black-and-white woodcut illustrations (comic strips) in various periods. Introduction and analysis of the system. In the analysis of black-and-white woodcut illustrations (comic books) in each period, the author makes detailed analysis and thinking by using the thought of aesthetics and combining the eyes of contemporary viewers. This paper summarizes the role of black-and-white woodcut illustrations (comic strips) as a basic art to artists and the unique charm of black-and-white woodcut illustrations (comic strips). With regard to the trend of integration of Chinese and Western culture, this paper puts forward how to find a suitable way to develop under the impact of Chinese and Western aesthetic culture, and further excavate the spirit of consuming Chinese traditional aesthetic culture. Then adapts the popular esthetic interest, realizes the artistic localization development goal.
【学位授予单位】:云南艺术学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J218.4;J218.5

【参考文献】

相关期刊论文 前6条

1 黎勤;黎炬;;版画艺术的生命——黑与白[J];大众文艺;2010年09期

2 王琦;鲁迅论版画、插画、讽刺画和连环画的特点[J];美术研究;1979年01期

3 英若识;黑白纵横谈[J];美术研究;1981年03期

4 顾晓梅;仿佛是木刻似的——鲁迅小说艺术形象的造型特色及其成因[J];山东师大学报(社会科学版);1999年04期

5 潘耀昌;;复制、印刷和大众传播——木刻和年画、连环画、宣传画全盛的时代[J];上海大学学报(社会科学版);2006年05期

6 彭伟;;从信息论的观点看插画创作[J];艺术与设计(理论);2007年06期

相关硕士学位论文 前2条

1 黄媛;从中国20世纪的插画看大众审美趣味的变迁[D];四川大学;2007年

2 向红;关于鲁迅的文学与美术之关系的跨学科研究[D];湖南师范大学;2008年



本文编号:1952502

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/1952502.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户3fe94***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com