论唐代工笔仕女画纹饰图案体现的人文意义

发布时间：2018-05-29 21:53

本文选题：唐代工笔仕女画 + 纹饰图案　；参考：《西安美术学院》2017年硕士论文

【摘要】：唐代是中国传统工笔人物画发展的鼎盛时期,特别是卷轴式的工笔仕女画是这一时期人物画中的典范之作,以其鲜明的民族风格和独特的艺术表现形式屹立于世界绘画史中,闪耀着永不泯灭的光辉。唐代工笔仕女画在造型、色彩、线条、构图上都有着独特的艺术魅力,其中纹饰图案的运用更是一大显著的艺术特点。本文从纹饰图案的载体唐代工笔仕女画入手,梳理唐代工笔仕女画产生的背景和发展历程,从而引申出唐代纹饰图案在不同时期绘画作品中的演变。通过唐代纹饰图案的剖析与研究总结出大体的种类以及时代性、地域性和民族性特征,同时针对唐代工笔仕女画中涉及到的具体纹饰图案对其进行细致分析研究,揭示其体现的人文意义。从“六法”的角度来探究唐代工笔仕女画及纹饰图案所体现的人文意义,论述人文意义对唐代工笔仕女画纹饰图案造型、线条、色彩产生的影响。分析研究唐代工笔仕女画中大唐丽人华服和其中纹饰图案的装饰性,引出唐代工笔人物画的“赏观”属性、它是社会审美与画家个人心理审美的体现,是人文思想的基础要求,是唐代社会文化自信的体现,这种以文化自信为主的人文意义表现在对世界各国文化产生的深远影响上。文章的最后论述了当下新生文化元素中纹饰图案体现的人文意义,画面中纹饰图案的运用以及纹饰图案对画面关系的协调。通过研究唐代工笔仕女画纹饰图案体现的人文意义启发了我对绘画元素的新认识,提升了工笔人物画创作在美学层面的高度。
[Abstract]:The Tang Dynasty was the heyday of the development of Chinese traditional fine brushwork figure painting, especially the fine brushwork of fine brushwork in this period was the model of figure painting of this period, and stood erect in the history of world painting with its distinctive national style and unique artistic expression form. Sparkles the eternal brilliance. The fine brushwork painting of Tang Dynasty has unique artistic charm in shape, color, line and composition, among which the use of pattern is a remarkable artistic feature. This paper starts with the carrier of the pattern of fine brushwork of Tang Dynasty, combs the background and development of the painting of fine brushwork of Tang Dynasty, and then generalizes the evolution of the pattern of decorative pattern of Tang Dynasty in the painting works of different periods. Through the analysis and research of Tang Dynasty decorative patterns, the author summarizes the general types and the characteristics of the times, regions and nationalities, and makes a detailed analysis and study on the specific patterns involved in the fine brushwork paintings of the Tang Dynasty. To reveal the humanistic significance of its embodiment. From the angle of "six methods", this paper probes into the humanistic significance of fine brushwork paintings and decorative patterns in Tang Dynasty, and discusses the influence of humanistic significance on the patterns, lines and colors of fine brushwork paintings in Tang Dynasty. This paper analyzes and studies the decorative features of the beautiful people in the Tang Dynasty and their decorative patterns in the fine brushwork paintings of the Tang Dynasty, and leads to the "appreciative view" attribute of the fine figure paintings of the Tang Dynasty, which is the embodiment of social aesthetics and the individual psychological aesthetics of the painters, and the basic requirement of the humanistic thought. It is the embodiment of social and cultural self-confidence in Tang Dynasty. Finally, the article discusses the humanistic significance of decorative patterns in the emerging cultural elements, the application of decorative patterns in the screen and the coordination of decorative patterns to the picture. By studying the humanistic significance of the fine brushwork painting patterns in the Tang Dynasty, I have inspired my new understanding of painting elements and promoted the creation of fine brushwork figure paintings at the aesthetic level.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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