墨迹与刀痕在版画艺术中的构成与转换

发布时间：2018-06-04 08:27

本文选题：黑白木刻 + 迹象　；参考：《西安美术学院》2017年硕士论文

【摘要】：通过对黑白木刻较长时间的学习与研究,发现黑白木刻在发展中因其材料选择的单一、刀痕的“僵硬”、色调的简单化等原因具有一定的局限性,不同于其它版画形式材料选择的广泛性,技法应用的多样性,甚至于在“脱离”印刷使用后的跨界应用等特点。因此其发展还是以回归到材料自身为基础,即:材料本身的特征和同一手法的多样性表达,最大限度地尊重材料的自然属性,这些技术态度也形成了黑白木刻本身特有的精神属性。如何能够既保持并遵从黑白木刻的本质,又能打破一定的局限性带来新的木刻语言以及激发创作情感充分的表达。基于对这一问题的思考,本文试图在不断的创作实践中找到一种新“元素”来改变这一状况。通过黑白木刻创作的反复实践与相关理论的研究,对此课题的研究,主要以“迹象”为开篇引意,从产生黑白木刻创作语言的主要元素开始:1、作为重要媒介应用的板材自身原始性痕迹;2、引入新的创作元素“墨迹”作为半控制状态下的偶发之迹;3、版画成像的灵魂之其迹——刀痕本身。这几种创作元素在同一版面上形成不同于传统视觉语言的构成与转换,使在不脱离黑白木刻的纯粹性基础上拓展其更大的发展可能性,在质朴的刀痕语言中传递更真实的创作情感,从而使版画艺术品衍生出新的艺术审美价值。
[Abstract]:By studying and studying black-and-white woodcut for a long time, it is found that black-and-white woodcut has some limitations in development because of the single choice of material, the rigidity of knife marks, the simplification of hue, etc. Different from the wide selection of other printmaking materials, the diversity of the application of techniques and even the cross-border application after the use of "detached" printing, etc. Thus, its development is based on a return to the material itself, that is, the characteristics of the material itself and the diversity of expression of the same technique, with maximum respect for the natural attributes of the material, These technical attitudes also form black and white wood carving itself unique spiritual attributes. How to maintain and comply with the essence of black-and-white wood carving, but also to break certain limitations to bring new woodcut language and stimulate the creation of full expression of emotion. Based on the consideration of this problem, this paper tries to find a new "element" to change the situation in the continuous creative practice. Through the repeated practice of black-and-white woodcut creation and the research of related theories, the research on this subject mainly begins with "signs". Starting with the main elements of the language of black-and-white woodcut creation, starting with 1: 1, the plate itself, as an important medium of application, is original. 2. A new creative element, "ink", is introduced as an occasional trace in a semi-controlled state, and a printmaking image is formed. The trace of the soul-the blade itself. These creative elements in the same layout form different from the traditional visual language composition and transformation, so that in the black and white woodcut on the basis of purity to expand its greater development possibilities, It conveys more real creative emotion in the simple language of knife mark, thus making printmaking art derive new aesthetic value of art.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

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