渐江山水画几何图式研究

发布时间：2018-06-05 09:23

本文选题：渐江 + 几何图式　；参考：《渤海大学》2017年硕士论文

【摘要】：渐江是明末清初著名画家。在师法多家的基础上,渐江绘画作品并没有一味的完全效仿前人,而是在传统的基础上融入自我观念情感,从而形成独特的绘画风格。渐江与孙逸、查士标、汪之瑞三人开创了“新安画派”。本论文讨论的第一个问题是渐江山水画几何图式的形成阶段。文中着重从渐江几何风格变化阶段以及时代背景两个方面作为研究点来分析渐江山水画几何图式的形成。本文以初期、转变期、成熟期三个时期为主来研究渐江山水画几何图式。这种几何化语言符号的形成离不开渐江所在的时代、师承、交友、环境等因素的影响,也与渐江黄山游历有着直接联系。本论文讨论的第二个问题是根据黄山绘画作品具体分析渐江黄山题材作品中的图式表现及内在几何图式的特点。在黄山题材作品中,从客观的自然景象到主观“取景”再到创作时的“造景”这样一个变化过程,渐江都是以减笔的表现手法来对作品进行创作,通过这些简化的线条和平面化的造型形成了渐江个性图式。渐江在画面中线条多以方折、直线为主要描绘手法,使画面图式趋向于几何化。本论文讨论的第三个问题是分析渐江这种独创的绘画风格对后世带来怎样的借鉴意义和影响,本文从新安画派和对当代绘画的借鉴意义两个方面来分析,概括出渐江作品的几种图式及特点,并对黄山题材作品进行个案分析,进一步探析了渐江山水画中的几何图式。
[Abstract]:Jianjiang is a famous painter in late Ming and early Qing Dynasty. On the basis of many teachers' laws, Jiangjiang painting works did not blindly emulate the predecessors, but on the traditional basis of the integration of self-concept emotion, thus forming a unique painting style. Jijiang and Sun Yi, Chashibiao and Wang Zhirui started the New an painting School. The first problem discussed in this paper is the forming stage of the geometric schemata of Jiangjiang landscape painting. This paper analyzes the formation of the geometric pattern of the landscape painting from the point of view of the changing stage of the geometric style and the background of the times. In this paper, the initial period, the transition period, the maturity of the three main stages to study the geometric pattern of landscape painting. The formation of this geometric linguistic symbol can not be separated from the period in which Jijiang is located. The influence of the factors such as learning, making friends, environment and so on is also directly related to the travel of the Huangshan Mountains. The second problem discussed in this paper is to analyze the features of the schemata and the internal geometric schemata in the Huangshan works according to the Huangshan paintings. In Huangshan's works, from the objective natural scene to subjective "scenery" to the creation of "landscape" such a change process, gradually is to reduce the performance of the pen to create the work. Through these simplified lines and flat modeling to form a gradual river personality schema. In the picture, the lines are folded in many directions and the straight line is the main description technique, which makes the picture schemata tend to geometry. The third problem discussed in this paper is to analyze the significance and influence of the original painting style of Jijiang on the later generations. This paper analyzes from the two aspects of Xinan painting school and the reference significance of contemporary painting. This paper summarizes several schemata and features of Jiangjiang's works, and makes a case study of Huangshan's works, and further probes into the geometric schemata in the landscape paintings of Jianjiang River.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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