龚贤山水画树法探析

发布时间：2018-06-13 03:39

本文选题：龚贤 + 山水画　；参考：《江苏师范大学》2013年硕士论文

【摘要】：龚贤，清代著名山水画家，“金陵八家”之首。坎坷的人生经历使他在视野上更加开阔，孜孜不倦的艺术追求使他在山水画方面成就辉煌，其独特的山水画艺术是中国山水画史上一道别致的风景。龚贤一方面师法古人，以米氏的墨法为楷模，以董源、吴镇的笔法为依托，以董其昌、黄公望的理论为指导，融众家之长。另一方面他主张创新，认为绘画艺术源于自然，要有自己的想法才能做到“我用我法”，所以与众不同的绘画风格成为他区别与同一时期其他画家的显要标志。龚贤曾自谓“前无古人，后无来者”，如今我们从他的绘画艺术中可见，此语并不为过。本文主要研究龚贤山水画中的树法及其所画树的特征。众所周知，龚贤绘画“个性鲜明”，而他所表现的树更是笔墨独特、与众不同。他在《课徒稿》和《话语录》二书中记录了各种树的画法，从入手第一笔讲起，详尽记载了作画过程中容易出现的错误及初学时应该注意的细节，是初学者学习和临摹的有利教材，为我们研究其树法特征提供了宝贵的第一手资料。本文将以其《课徒稿》和《话语录》为线索，从龚贤所记载的一笔一树入手，，从一棵树到一丛树，从一种树到不同类型的树，从阳光下的树到烟雨云雾中的树，通过对树的特点与其笔墨特征的细致分析，力图窥视树木与山石、树木与水汀、树木与泉屋之间的关系。经过这些物象的衬托，我们似乎可以看到，其画面中山前苍翠欲滴的树木看起来更加繁密，屋后错落有致的丛林感觉愈加悠远，云雾中若隐若现的枝叶更是披上了神秘的外衣…… 树法关系到整个画面的艺术效果，树的成败关系着整幅画的成败。笔者希望通过对龚贤树法详尽而全面的分析，总结出他的树法特征，并结合当代表现手法，探讨出树法表现规律，期望最终能够实现理论与实践的完美统一，在自己的创作中加以应用。
[Abstract]:Gong Xian, a famous landscape painter in Qing Dynasty, was the first of eight Jinling families. The bumpy life experience makes him more open in the field of vision, and his tireless artistic pursuit makes him achieve brilliance in landscape painting. His unique landscape painting art is a unique landscape in the history of Chinese landscape painting. On the one hand, Gong Xian imitated the ancients, taking Mii's Mohist method as a model, relying on Dong Yuan's and Wu Zhen's strokes, and taking Dong Qichang and Huang Gongwang's theory as the guidance. On the other hand, he advocates innovation, and believes that painting art originates from nature and can only be achieved by my own idea. Therefore, his distinctive painting style has become a prominent symbol of his distinction from other painters of the same period. Gong Xian once called himself "No one before, no one after", and now we can see from his painting art, this is no exaggeration. This paper mainly studies the tree method in Gong Xian's landscape painting and its characteristics. As we all know, Gong Xian's painting "personality is bright", and his performance of the tree is unique and distinctive. In his two books, the manuscript of the lesson and the quotation of the words, he recorded the drawing methods of all kinds of trees. From the beginning of the first stroke, he described in detail the mistakes that were likely to occur in the course of painting and the details that should be paid attention to when he first studied. It is a good teaching material for beginners to learn and copy, which provides valuable first-hand information for us to study its tree features. This article will take his manuscript of lesson and quotation as the clue, starting with the stroke tree recorded by Gong Xian, from one tree to a bunch of trees, from one tree to different types of trees, from trees under the sun to trees in smoke, rain and mist. Through the careful analysis of the characteristics of trees and their pen and ink, this paper tries to peer into the relationship between trees and rocks, trees and cement, trees and spring houses. Against these images, we can seem to see that the green trees in front of Zhongshan look more dense, the jungle behind them feels more distant, and the twigs and leaves in the clouds are clothed with mystery. The tree method relates to the artistic effect of the whole picture, and the success or failure of the tree relates to the success or failure of the whole painting. The author hopes that through the detailed and comprehensive analysis of Gong Xianshu method, the author summarizes his characteristics of tree method, and discusses the representation law of tree method combining with contemporary expression techniques, hoping to realize the perfect unification of theory and practice. Be applied in one's own creation.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】