浅谈隋唐石窟壁画中“花鸟”的用色对花鸟画用色的影响

发布时间：2018-06-14 00:00

本文选题：隋唐 + 石窟壁画、花鸟画、色彩、设色　；参考：《中国美术学院》2014年硕士论文

【摘要】：中国古代石窟壁画的历史非常久远,可以一直追溯到魏晋南北朝时期,在隋唐时期发展到鼎盛,本文中笔者试图通过对隋唐时期最具代表性的敦煌莫高窟、新疆克孜尔石窟中壁画的用色,尤其着眼于其中的“花鸟”形象的设色方式和色彩使用上,并将之与中国传统花鸟画的设色方式和色彩使用作比较,从而阐述其在用色上对后来的中国传统花鸟画的深远影响。与此同时,笔者也试图在对于这个题材的研究中学到宝贵的知识,并能从中得到自身绘画创作时的色彩运用上的有益的宝贵知识。
[Abstract]:The history of the murals of ancient Chinese grottoes is very long, which can be traced back to the Wei, Jin, Southern and Northern dynasties, and developed to the peak in the Sui and Tang dynasties. In this paper, the author tries to analyze the Dunhuang Mogao grottoes, which are the most representative in the Sui and Tang dynasties. The use of color in murals in Kizil Grottoes in Xinjiang is especially focused on the way and the use of color of the image of "flowers and birds", and compared with that of traditional Chinese paintings of flowers and birds. So as to explain its use of color on the later Chinese traditional flower and bird painting far-reaching impact. At the same time, the author also tries to learn valuable knowledge in the study of this subject, and can get the valuable knowledge of color application in his painting creation.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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