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论20世纪岭南画派的色彩特点及其对我的创作启示

发布时间:2018-06-14 09:04

  本文选题:岭南画派 + 色彩特点 ; 参考:《南京艺术学院》2013年硕士论文


【摘要】:本文描述了在20世纪中国美术史上享有盛誉的岭南画派的色彩取向,结合绘画题材及当时的社会背景,,探寻其色彩风格形成的原因和对本人创作的启示。 本人注重岭南画家的个案研究,尤其注重岭南画派创始人和第二代重要画家的代表作品的色彩研究。本文需要解决的关键问题在于:寻回中国绘画色彩的本体,审视岭南画派色彩特点,在实践中探索中国画色彩与新题材相契合的审美标准,以真正健康的方向去发展中国绘画的色彩。 该论题对本人的启示是,在学习江南地区传统绘画色彩的同时,发扬岭南“丹青”山水的青春色彩,以一种当代的视野对其进行的溯源式探索。总结研究对象需要有所观察、实践和沉淀,相信有关岭南画派色彩的寻根与研习,是对本人存在重要创作启示。
[Abstract]:This paper describes the color orientation of Lingnan painting School, which enjoys great reputation in the history of Chinese art in the 20th century, explores the reasons for the formation of its color style and its inspiration to my creation by combining the subject matter of painting and the social background at that time. I pay attention to the case study of Lingnan painters, especially the color research of the founder of Lingnan School and the representative works of the second generation important painters. The key problems to be solved in this paper are to find the Noumenon of Chinese painting color, to examine the color characteristics of Lingnan painting school, and to explore the aesthetic standard of matching the color of Chinese painting with the new subject matter in practice. To develop the color of Chinese painting in a healthy direction. The enlightenment of this thesis is that, while studying the traditional painting color in Jiangnan area, we should carry forward the youth color of Lingnan "Danqing" landscape and explore its source with a contemporary vision. To sum up the object of study, we need to observe, practice and precipitate. I believe that seeking roots and studying the color of Lingnan painting school is an important inspiration for my creation.
【学位授予单位】:南京艺术学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J209.9

【参考文献】

相关期刊论文 前1条

1 陈滞冬;中国绘画色彩的功能和意义[J];美术;1999年10期



本文编号:2016840

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