试论中国当代写实油画中诗意情怀的体现

发布时间：2018-06-14 23:53

本文选题：中国油画 + 写实油画　；参考：《浙江师范大学》2013年硕士论文

【摘要】：在中国传统文化中,始终都贯穿着“诗”这一精神方式,并随着传统文化在汉代的定型而成为中国文化的精神本体。当今,在“文化观念多元化”的影响下,人们的审美观念、审美方式在不断地改变,也为油画创作领域带来“百花齐放、推陈出新”的兴旺格局。写实油画已从过去单一强调思想内容的主题创作形式中解放出来,演变成为具有当代“中国式”新写实主义油画。这种演变,是以新的表现形式对写实传统的传承,是以新的视觉元素在具象油画上的应用和革新,是以新的思想观念对民族性和时代精神的探索。中国传统绘画追求写意,崇尚意境,这主要是基于中国几千年的文化历史,而油画在中国的发展已有上百年的历史了。随着中国社会经济的发展,中国的写实油画逐渐的融入了中国的传统文化,在西方审美经验的基础上,通过运用中国传统绘画中的写意手法、审美观念,来达到中国写实油画在中国的革新。本文将通过对中国写实油画的概念、兴起、发展状况及审美观的变化,通过对写实油画家的审美思想及作品进行分析,来阐述中国当代写实油画中所体现的诗意情怀。本论文分为三章：在引言部分主要论述写实油画的概念、在中国的兴起以及它的发展现状。第一章主要通过从中国写实油画思想观念的转变及油画语言的革新方面来加以论述中国写实油画中诗意的缺失。第二章是本文的重点,主要论述现当代中国油画家对传统文化的回归,诗意因素再现写实油画中,通过对中国写实油画家的艺术思想及其作品来论述其中所体现的诗意情怀。第三章是主要论述把诗意因素融入到中国写实油画当中所带来的意义。最后是结语,总结了诗意在中国写实油画发展中是一种趋势,也是一种途径。它是中国传统文化中的一个特征,是“本土化”、“国际化”的一条可行之道,并且在中国这片文化的沃土上具有深远的发展空间。
[Abstract]:In Chinese traditional culture, the spirit of "poem" is always running through, and along with the traditional culture in the Han Dynasty, it becomes the spiritual ontology of Chinese culture. Nowadays, under the influence of "cultural diversity", people's aesthetic concept and aesthetic way are constantly changing, which also brings the prosperous pattern of "blooming a hundred flowers and bringing forth the new from the old" for the field of oil painting creation. Realistic oil painting has been liberated from the single theme creation form which emphasizes the ideological content in the past, and has evolved into a new realistic oil painting with contemporary "Chinese style". This evolution is the inheritance of realistic tradition in new forms of expression, the application and innovation of new visual elements in concrete oil paintings, and the exploration of nationality and the spirit of the times with new ideas and ideas. Chinese traditional painting pursues freehand brushwork and advocates artistic conception, which is mainly based on the cultural history of China for thousands of years, and the development of oil painting in China has a history of more than 100 years. With the development of Chinese society and economy, Chinese realistic oil painting gradually melts into Chinese traditional culture. On the basis of western aesthetic experience, aesthetic concept is obtained by using freehand brushwork in Chinese traditional painting. To achieve the Chinese realistic oil painting innovation in China. In this paper, the concept, rise, development and aesthetic changes of realistic oil painting in China are introduced. Through the analysis of aesthetic thoughts and works of realistic oil painters, the poetic feelings embodied in Chinese realistic oil paintings are expounded. This paper is divided into three chapters: the introduction mainly discusses the concept of realistic oil painting, the rise in China and its development. The first chapter mainly discusses the lack of poetic meaning in Chinese realistic oil painting through the transformation of Chinese realistic oil painting ideology and the innovation of oil painting language. The second chapter is the focus of this paper, mainly discusses the return of modern and contemporary Chinese oil painters to the traditional culture, poetic factors in the reproduction of realistic oil painting, through the art of Chinese realistic oil painters and their works to discuss the poetic feelings embodied therein. The third chapter mainly discusses the significance of integrating poetic factors into Chinese realistic oil paintings. Finally, the conclusion summarizes that poetry is a trend and a way in the development of realistic oil painting in China. It is a characteristic of Chinese traditional culture, a feasible way of "localization" and "internationalization", and has far-reaching development space in the fertile soil of Chinese culture.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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