当前位置:主页 > 文艺论文 > 绘画论文 >

平面性绘画语言中的情感表达

发布时间:2018-06-15 07:55

  本文选题:现代主义 + 油画平面化 ; 参考:《四川美术学院》2017年硕士论文


【摘要】:十九世纪末二十世纪初,现代主义艺术以区别于以往的姿态登上了西方艺术史的舞台。平面性绘画语言的出现逐渐取代了传统绘画中引以为傲的诸如素描关系、透视原理、明暗光影等一系列绘画法则。现当代平面性绘画语言的产生,是艺术史发展的结果,同时也是艺术家强烈情感表达欲望寻求新的表现方法的结果。平面性绘画语言从出现时的简单运用发展到如今丰富多彩的形式,经历了各个时代艺术们的不断探索和革新。油画中平面化体现于色彩中表现为主观化、单纯化;体现于构图中表现于不受客观世界三维空间的限制。平面性绘画语言在带来新的艺术表现方法同时,也带来了关于内心的感应。它丰富了绘画的表现形式,扩大了绘画的空间,反过来也让艺术家在油画创作中更自由地表达自身的情感。本文从四个章节针对平面性绘画语言的特质以及艺术家运用平面性绘画语言进行情感表达的案例展开研究。第一章的绪论阐明了该篇文章的选题意义和目前专业领域内对此命题的研究状况,以及笔者本人在进行研究期间的思路与方法。第二章阐述平面性绘画语言在西方美术史上的发展演变,并对这一类油画的划分标准与艺术形式进行分析、归类和总结,提高对其独特艺术特征的认识和理解。第三章对艺术中情感的表达功能演变进行分析,以及在当代艺术中艺术家选择情感表达作为创作主题的意义,从而延展出艺术家会选择这种平面化的手法进行绘画中的情感表达的原因,并且通过举例论证二者之间是如何和谐在艺术家的作品中得到呈现。第四章从笔者自身的油画创作出发,探讨如何在创作中运用自己感兴趣的这种语言形式表达自身的情感诉求,使二者达到一种统一,力图在画面中呈现出一种具有情感性的和谐宁静的美感。同时在这一章中也提出了年轻的艺术家在学习和运用平面性绘画语言的过程中需要特别注意的问题。最后进行总结,提出了平面性绘画语言的运用与艺术家情感表达之间存在的相互推动的关系。得出了只有在对平面性绘画语言和艺术家绘画中的情感表达进行全面而深入的研究的基础上,才有可能更好的运用这种方式进行艺术创作。
[Abstract]:At the end of the 19th century and the beginning of the twentieth century, modernist art took on the stage of western art history with a posture different from the past. The appearance of plane painting language has gradually replaced a series of painting principles such as sketch relation, perspective principle, light and dark light and shadow, which are proud of traditional painting. The generation of contemporary graphic painting language is the result of the development of art history and the result of the artists' strong emotional expression desire to seek new ways of expression. From the simple application of plane painting language to the rich and colorful forms, it has experienced the continuous exploration and innovation of various times of art. The planarization in oil painting is reflected in the color as subjective and simple, and in the composition it is not restricted by the three-dimensional space of the objective world. Plane painting language brings new artistic expression method, but also brings about the inner feeling. It enriches the expression of painting, expands the space of painting, and in turn allows artists to express their feelings more freely in oil painting. This paper focuses on the characteristics of plane painting language and the case study of artists' emotional expression using plane painting language. The introduction of the first chapter illustrates the significance of the topic of this article and the current situation of research on this proposition in the professional field, as well as the author's thoughts and methods during the research period. The second chapter expounds the development and evolution of plane painting language in the history of western art, and analyzes, classifies and summarizes the classification standard and art form of this kind of oil painting, so as to improve the understanding and understanding of its unique artistic characteristics. The third chapter analyzes the evolution of the expression function of emotion in art, and the significance of choosing emotional expression as the theme of creation in contemporary art. The reason why the artist will choose this kind of flat technique to express emotion in painting is extended, and how the harmony between them is presented in the artist's works is demonstrated by examples. The fourth chapter from the author's own oil painting creation, discusses how to use the language form of their own interest to express their emotional demands in order to achieve a unity between the two. Try to show a kind of emotional harmony and tranquility in the picture. At the same time, in this chapter, the problems that young artists need to pay special attention to in the process of learning and using the language of plane painting are also put forward. Finally, the author puts forward the relationship between the use of plane painting language and the expression of artist's emotion. Only on the basis of a comprehensive and in-depth study of the expression of emotion in plane painting language and artist painting, it is possible to make better use of this method for artistic creation.
【学位授予单位】:四川美术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J213

【参考文献】

相关期刊论文 前2条

1 黄怡青;;当代艺术观念性在当下文化中的现实处境[J];艺术科技;2015年07期

2 克里斯蒂·格雷戈里;杨洁;;反观念主义:精神追求的执迷[J];艺术设计研究;2010年01期

相关硕士学位论文 前1条

1 张涛;现实主义油画中人文精神基于情感的探究[D];沈阳师范大学;2014年



本文编号:2021299

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/2021299.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户5605e***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com