中国山水画色彩的探循与实践

发布时间：2018-06-15 09:02

本文选题：山水画 + 色彩　；参考：《广东工业大学》2014年硕士论文

【摘要】：山水画是中国画其中的一种绘画题材形式,在魏晋南北朝时期从人物画独立出来,成为单独的艺术品,给后来专门研究山水画画家广阔的绘画空间。中国绘画的发展经历了由追求形式到追求意境的变化,这是对事物由形到质的认识变化。对于中国山水画来说,色彩是其中非常重要的一种元素,它能够使山水画中的四时、节令、时辰以及情调气氛得到充分的表现。中国山水在很早就记载用色的理论之说,就像西方绘画色彩上的红、黄、蓝,三原色,光源色,等绘画理论。中国山水画用色也有“青绿、浅降,裸青”的说法。再加上中国画用墨,墨分五色,色墨结合的运用,丰富地展现了中国山水画色彩的魅力。但并没有一套像西方那样的色环式的完整系统的学说,所以西方色彩的形式,给中国山水画色彩很大的影响和借鉴。任何一种学术研究都是能追溯到它的根源的,所以本文便从中国山水画史,来开始对中国山水脉络进行了梳理,通过分阶段论述了各个朝代用色观念和特点。这不仅使我们了解了前人的艺术主张,挖掘他们的思想渊远,进而探循中国山水画创作复兴的道路,同时也使我们了解不同历史时代山水画的用色特点的发展方向。其次,对中西绘画中的用色观念进行了详细的分析和对比,中国山水画与西方风景画在画坛中都占据着极为重要的地位,这两种表现相同的对象却采用不同的表现手法的艺术形式,都具有独特的色彩观和审美情趣,通过对比分析,希望能够从西方绘画用色中进行借鉴,以此在,中国绘画用色的基础上找出一条新的道路,为中国绘画的发展提供新的途径。另外,对中国传统壁画及年画中的用色特点进行了分析任何一种学术研究都是能追溯到它的根源的,所以本文便从中国山水画史,来开始对中国山水观进行了梳理,通过分阶段论述了各个朝代用色观念和特点。这不仅使我们了解了前人的艺术主张,挖掘他们的思想渊远,进而探循中国山水画创作复兴的道路,同时也使我们了解不同历史时代山水画的用色特点的发展方向。其次,对中西绘画中的用色观念进行了详细的分析和对比,中国山水画与西方风景画在画坛中都占据着极为重要的地位,这两种表现相同的对象却采用不同的表现手法的艺术形式,都具有独特的色彩观和审美情趣,通过对比分析,希望能够从西方绘画用色中进行借鉴,以此在,中国绘画用色的基础上找出一条新的道路,为中国绘画的发展提供新的途径。另外,对中国传统壁画及年画中的用色特点进行了分析,通过分析,从中国传统绘画艺术中进行提取,将其用色特点应用到山水画中,形成新的风格。任何一个时代、一个地区的绘画作品,都充满了画家们独特的情感及审美观念。中国山水画虽然经历了坎坷和辉煌的阶段,但是在中国绘画作品中个,色彩一直占据着重要的地位。论文的最后一部分对山水画中用色的创新进行了重点分析,将前面所围绕的传统及西方两天,通过分析,从中国传统绘画艺术中进行提取,将其用色特点应用到山水画中,形成新的风格。任何一个时代、一个地区的绘画作品,都充满了画家们独特的情感及审美观念。中国山水画虽然经历了坎坷和辉煌的阶段,但是在中国绘画作品中,色彩一直占据着重要的地位。论文的最后一部分对山水画中用色的创新进行了重点分析,将前面所围绕的传统及西方两天线索进行综合整理,从绘画的情感及光色的应用对中国山水画中用色的创新进行了阐述,对山水画色彩发展的研究进行了充分的说明和展望。
[Abstract]:Landscape painting is one of the subject forms of painting in Chinese painting. In the period of the Wei, Jin and Northern and Southern Dynasties, it emerged from the figure painting, became a separate art, and gave a broad space for the later study of the landscape painter. The development of Chinese painting experienced the change from the pursuit of form to the pursuit of the artistic conception, which is the change from the form to the quality. For Chinese landscape painting, color is one of the most important elements. It can make the four times, the season, the time and the atmosphere in the landscape painting fully show. Chinese landscape is very early on the theory of color use, like the theory of red, yellow, blue, three primary colors, light source color, and other painting theories in the color of Western painting. The color of water painting also has "green, shallow, naked green". In addition, the use of Chinese painting with ink, five colors, and the combination of color and ink shows the charm of the color of Chinese landscape painting. But there is no set of complete system theory like the western color ring style, so the form of Western color has a great shade of color to Chinese landscape painting. Sound and use for reference.
Any kind of academic research can be traced back to its root, so this article begins with the history of Chinese landscape painting, and begins to sort out the choroid of Chinese landscape, and discusses the color concept and characteristics of each dynasty by stages, which not only makes us understand the artistic ideas of the predecessors, excavate their thought abyss, and then explore the Chinese mountains. The road of the Renaissance of water painting also makes us understand the development direction of the color characteristics of the landscape painting in different historical times. Secondly, it makes a detailed analysis and contrast to the color concept of the Chinese and Western paintings. The Chinese landscape painting and the western landscape painting occupy a very important position in the painting world, and the two objects of the same expression are collected. With different artistic forms of expression, all of them have a unique view of color and aesthetic taste. Through comparative analysis, we hope to draw lessons from the color of Western painting. In this way, a new way is found on the basis of the color of Chinese painting to provide a new way for the development of Chinese painting. In addition, the Chinese traditional frescoes and the annual paintings are also provided. The analysis of any kind of academic research can be traced back to its origin, so this article begins with the history of Chinese landscape painting, and begins to sort out the Chinese landscape concept, and discusses the color concept and characteristics of each dynasty by stages, which not only makes us understand the previous artistic ideas and excavate their ideological abyss. Further, we will explore the road of the Renaissance of Chinese landscape painting creation, and also make us understand the development direction of the color characteristics of landscape painting in different historical times. Secondly, it makes a detailed analysis and contrast to the concept of color use in Chinese and Western paintings. Both Chinese landscape painting and Western landscape painting occupy a very important position in the painting world, these two kinds. The same object in the art form with different expressive techniques has a unique view of color and aesthetic taste. Through comparative analysis, we hope to learn from the color of Western painting to find a new way on the basis of the color of Chinese painting and provide a new way for the development of Chinese painting. The color characteristics of the traditional Chinese fresco and the annual painting are analyzed. Through the analysis, it is extracted from the traditional Chinese painting art, and applies the color characteristics to the landscape painting to form a new style. In any time, the paintings in a region are full of the unique feelings and aesthetic ideas of the artists. The stage of rough and brilliant, but in Chinese painting, color has always occupied an important position. The last part of the thesis focuses on the innovation of the color use in the landscape painting. The traditional and western two days in the front are extracted from the traditional Chinese painting art, and its color characteristics are applied. In the landscape painting, the new style is formed. In any time, the paintings of a region are full of the unique feelings and aesthetic ideas of the artists. Although Chinese landscape painting has experienced a rough and glorious stage, the color of the Chinese painting has always occupied the position of emphasis. The last part of the thesis is used in the landscape painting. The innovation of color is analyzed emphatically, the traditional and western two antenna cables are collate, the color innovation of Chinese landscape painting is expounded from the application of painting emotion and light color, and the research on the development of landscape painting color is fully explained and prospected.
【学位授予单位】：广东工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【引证文献】