藏族传统绘画艺术传承研究

发布时间：2018-06-16 04:42

本文选题：藏族 + 传统　；参考：《西藏大学》2013年硕士论文

【摘要】：历经几千年的文化沉淀，历代藏族伟人及学者都以学习及通晓大小五明为尊，而其中工巧明当中的绘画艺术不仅具有悠久的历史且结合本民族特性形成了独具雪域高原风格的绘画艺术。它在世界绘画史上有着崇高的地位和艺术价值。让世人感觉赏心悦目。佛教传入西藏之后，西藏的宗教活动将文化、宗教、历史、教育等融为一体，形成了一套带有宗教色彩的上层建筑，其中为了宣扬宗教艺术中还衍生出了一种具有相当历史分量和考古价值的宗教绘画艺术。以当时的社会历史背景为题材作画，用这种艺术的形式述说历史，形成了具有代表性的绘画艺术---佛教绘画艺术。尤其是佛教后弘时期吸收了尼泊尔等周边国家的绘画技艺，并且将其很巧妙地融合到雪域高原的绘画艺术当中形成了像奇岗派、勉唐派、钦泽派、嘎赤派等独具藏族特色的绘画技艺。其中多以根据藏族典籍描述藏传佛教当中的佛像、各大教派源流等内容。像这种独具藏族特色并根据藏族典籍所衍生出来的绘画技艺笔者觉得有其自身的绘画步骤及根据，所以本人将这一内容融会贯通到本课题当中，竭尽全力描述这一课题的内容。本课题共分为两个章节，大致内容如下：第一章描写藏族绘画艺术的分类及各大学者对此分类的不同意见。又将其分为三个小节，依次为藏传佛教绘画艺术的发展史、藏族绘画艺术的尺度、划分章节的方法、绘画分类等。用总和部分的方式将详细阐述藏族绘画艺术的发展史。第二章描述藏族绘画当中图案的形状及图案片段的变化。将其分为顶图画法、鹿形画法、衣着的画法、图案片段画法等来阐述藏族绘画艺术的特点。研究目的及意义: 通过研究本课题叙述藏族绘画艺术的根本及步法的联系，以及通过具有价值的藏族绘画艺术来阐释其中存在的文化价值. 在历史的长河中藏族祖先及历代伟人将雪域高原的绘画艺术不断提炼及后人的不断发扬将其去其糟粕，取其精华，最终成为了享誉世界的艺术瑰宝。藏族的绘画技艺衍生于藏族文化典籍，学习藏族绘画技术首先必须要了解藏族文化的内涵及具有良好的行为，，只有这样才能入门学习。目前除了在寺院当中可以学习到藏族绘画的技术之外，在社会当中能真正教授及学习的人为数不多，相比之下绘画技术也不能与前人相比。并且在当今信息化与经济为主的时代，很多人都抛弃了前人留下的传统文化，以商业盈利为主，在藏族绘画艺术当中汇入了不良的内容及改变了原有的绘画艺术。故本人以此为研究对象竭尽全力完成藏族传统绘画技艺这个课题。
[Abstract]:After thousands of years of cultural sedimentation, great Tibetans and scholars throughout the dynasties have regarded learning and familiarity with the five Ming dynasties as the respect. And the painting art in Gongqiao Ming not only has a long history, but also forms a unique painting art with snowy plateau style combined with the characteristics of this nation. It has a lofty position and artistic value in the history of world painting. Let the world feel pleasing to the eye. After Buddhism was introduced into Tibet, Tibetan religious activities combined culture, religion, history, education, etc., forming a set of superstructures with religious color. In order to promote religious art, there is a kind of religious painting art of historical importance and archaeological value. Taking the social and historical background of that time as the subject matter, the history was described in the form of this kind of art, which formed the representative painting art-Buddhist painting art. In particular, during the period of Buddhism after Hong, the painting techniques of Nepal and other neighboring countries were absorbed, and they were subtly integrated into the painting art of the snowy plateau, forming such as Qigang School, Mian Tang School, and Qinze School. Gachi school and other unique Tibetan characteristics of the art of painting. Most of them describe the Buddhist statues in Tibetan Buddhism according to Tibetan classics, the origin of major sects and so on. Like this unique Tibetan characteristics and according to the Tibetan classical books derived from the painting skills I think there are its own painting steps and bases so I will integrate this content into the subject and do my best to describe the content of this subject. This thesis is divided into two chapters. The main contents are as follows: the first chapter describes the classification of Tibetan painting art and the different opinions of scholars. Then it is divided into three sections: the history of Tibetan Buddhist painting art, the scale of Tibetan painting art, the method of dividing chapters, the classification of painting, etc. The development history of Tibetan painting art will be elaborated in the way of summation part. The second chapter describes the shape of the patterns and the changes of the patterns in Tibetan paintings. It is divided into top drawing, deer shape painting, clothing painting, pattern fragment painting to explain the characteristics of Tibetan painting art. The purpose and significance of this study: this paper describes the basis of Tibetan painting art and the relationship between the footwork, and explains the cultural value of the Tibetan painting art through the valuable Tibetan painting art. In the long river of history, the Tibetan ancestors and the great men of all dynasties continuously refined the painting art of the snow-covered plateau and continued to develop and carry forward the painting art of the snow-covered plateau to remove its dross and select its essence, and finally became the world-famous art treasure. Tibetan painting skills derive from Tibetan cultural classics. In order to learn Tibetan painting techniques, we must first understand the connotation and good behavior of Tibetan culture. At present, apart from learning Tibetan painting techniques in monasteries, there are few people who can really teach and study in society. In contrast, painting techniques are not comparable to those of their predecessors. And in today's era of information and economic, many people have abandoned the traditional culture left by their predecessors, mainly commercial profits, in the Tibetan painting art into the bad content and changed the original painting art. Therefore, I do my best to complete the Tibetan traditional painting technology as the object of study.
【学位授予单位】：西藏大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

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