汉代南阳画像石审美研究

发布时间：2018-06-16 06:27

  本文选题：南阳 + 画像石　； 参考：《西北大学》2017年硕士论文

【摘要】：画像石多是汉代墓葬艺术石材,是中国古代艺术的一部分。南阳画像石承载了两汉南阳人民的审美意识,本文综合运用美学、艺术学、图像学、历史学、宏观分析和个案研究的方法,试图从南阳的画像石中找寻出两汉时期人们的审美意识变化过程。本文第一章,通过文献综述和研究现状的考察,选择了有编年的画像石墓群作为主要研究材料,确定了以审美意识为主的研究方法,以此寻找历史中的审美流变。第二章通过民间信仰的角度探讨了画像石墓产生的原因,同时又通过古代礼仪的角度阐述画像石的美学意义。第三章主要对南阳画像石的综合论述,首先分析了南阳的文化形态,南阳画像石的分布、分类、以及题材的特别之处,同时又将画像石墓进行前后两期的划分,并对内容题材进行考察。最后宏观地分析南阳画像石的构图特色、雕刻手法和审美风格。第四章根据画像石墓分期研究成果,考察前期画像石墓,认为以针织厂墓为代表,展现了西汉末以侠义为美的审美意识,而众多的嫦娥画像石墓群代表了谶纬时代下的浪漫美学追求。第五章则以后期画像石墓中的许阿瞿画像石为例,分析它审美自觉的特点,并指出它的深情之美,又以邢庄汉墓为例,展现了以生活为美的恬淡追求。结语部分总结了南阳画像石所呈现的审美意识流变过程,即以信义为美的伦理美学意识到以嫦娥为代表的谶纬美学意识,再到审美自觉阶段的美在深情和真正走向生活美学的审美流变过程。最后总结这些美学遗产的文化特征和启示。
[Abstract]:The stone relief is the Han Dynasty tombs art stone material, is the Chinese ancient art part. The stone relief in Nanyang carried the aesthetic consciousness of the people of Nanyang in the Han Dynasty. This paper uses the methods of aesthetics, art, graphics, history, macro analysis and case study. This paper tries to find out the changing process of people's aesthetic consciousness in the Han Dynasty from the stone relief in Nanyang. The first chapter of this paper, through literature review and investigation of the current research situation, selected the chronicled stone gravestones as the main research materials, determined the aesthetic consciousness as the main research methods, in order to find out the historical aesthetic evolution. The second chapter discusses the causes of stone tombs from the perspective of folk belief, and expounds the aesthetic significance of stone relief through ancient etiquette. The third chapter mainly discusses Nanyang stone relief, first analyzes the cultural form of Nanyang, the distribution and classification of Nanyang stone, as well as the special subject matter. At the same time, it divides the stone graveyard before and after two phases. And carries on the investigation to the content theme. Finally, macro analysis of Nanyang stone composition characteristics, carving techniques and aesthetic style. The fourth chapter, based on the research results of stone graveyard stages, investigates the early stage stone tombs, and holds that the tomb of knitting factory represents the aesthetic consciousness of chivalrous beauty in the end of the Western Han Dynasty. And many Chang'e stone tombs represent the romantic aesthetic pursuit under the age of prophecy. The fifth chapter takes Xu Aqu as an example, analyzes its aesthetic consciousness, points out its deep feeling beauty, and takes Xingzhuang Han Tomb as an example to show the quiet pursuit of life as beauty. The conclusion summarizes the changing process of aesthetic consciousness in Nanyang stone relief, that is, the ethical aesthetic consciousness of faithfulness as beauty, and the aesthetic consciousness of prophecies represented by Chang'e. Then to the stage of aesthetic consciousness, the aesthetic evolution process of the beauty in the stage of deep feeling and real moving towards the aesthetics of life. Finally, the cultural characteristics and enlightenment of these aesthetic heritage are summarized.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K879.4;J201
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本文编号：2025715