浅谈中国岩彩画的发展

发布时间：2018-06-16 13:20

本文选题：中国岩彩画 + 日本画　；参考：《山东师范大学》2014年硕士论文

【摘要】：岩彩画虽然源自中国传统的重彩画和壁画，但是在材料的选择方面现代岩彩画较之从前更加的丰富，不仅有天然矿物质色还有了人工合成的“新岩”，在绘画风格、技法运用以及构图形式等方面与传统意义上的重彩画都有很大的不同。现代的中国岩彩画一方面继承和发展了传统重彩画和写意画的艺术精华，另一方面还借鉴和吸收了西方油画和现代日本画的绘画形式，丰富了岩彩画的表现力，使其获得了空前的艺术活力，成为中国现代最具生命力的画种之一。从宏观上来看中国岩彩画的发展，首先，发源于原始社会，在这个时期无论是东方还是西方社会最初均以“岩画”的形式出现，以矿物颜料作为绘画颜料涂抹于原始陶器以及岩石峭壁之上。其次，繁盛于隋唐时期，岩彩画的前身重彩画以及重彩壁画在这个时期的发展达到鼎盛，重彩壁画更是成为当时的主流绘画，重彩画也正是在这个时期传入日本，并得以继承与发展。后来由于文人画的兴起，中国重彩画与壁画逐渐不受重视进而被边缘化。最后，复苏于20世纪90年代，被一批赴日留学的艺术家们从日本学习后将其“带回”国内，它以中国的传统文化为本源，，又融入了日本的民族特色，同时还吸收了西方现代艺术的色彩经验与表现技法，可谓是融汇了从古至今东西方的艺术精神于一身。本文共分为三个章节，对中国岩彩画的发展进行了梳理。第一章主要是从传统重彩画与岩彩画的传承关系来探索岩彩画的历史渊源，以及在现代复苏兴起的原因。第二章是探讨西方绘画以及现代日本画对中国岩彩画产生的影响。首先，西画的艺术观念启迪了岩彩画家们的审美表现；色彩经验丰富了岩彩画色彩与情感的表达；构图形式拓展了岩彩画表现形式；其次，日本画的形成与发展也给予了中国现代岩彩画一定的启示，科学技术的介入使材料与技法得到了拓展与升级。第三章是从现代中国岩彩画的面貌出发展望岩彩画的发展方向。
[Abstract]:Although rock paintings originate from Chinese traditional heavy colors and murals, modern rock paintings are more abundant in material selection than in the past. There are not only natural mineral colors but also artificial "new rocks", in the painting style. The application of techniques and the form of composition are very different from the traditional heavy colors. On the one hand, modern Chinese rock painting inherits and develops the artistic essence of traditional heavy color painting and freehand brushwork, on the other hand, it also draws lessons from and absorbs the painting form of western oil painting and modern Japanese painting, which enriches the expressive power of rock color painting. It has gained unprecedented artistic vitality and become one of the most vital paintings in modern China. From a macro point of view, the development of Chinese rock color painting originated in the primitive society. In this period, both the East and the West initially appeared in the form of "rock painting". Apply mineral pigments as painting pigments to primitive pottery and rock cliffs. Secondly, flourishing in the Sui and Tang dynasties, the predecessor of rock color paintings and heavy color murals reached their peak in this period, and heavy color murals became the mainstream painting at that time, and heavy color paintings were also introduced into Japan during this period. And can inherit and develop. Later, due to the rise of literati paintings, Chinese heavy paintings and murals were gradually ignored and marginalized. Finally, in the 1990s, a group of artists studying in Japan "brought back" them to Japan after studying in Japan. It was rooted in Chinese traditional culture and incorporated into the national characteristics of Japan. At the same time, it also absorbs the color experience and performance techniques of western modern art, and it can be said to be a blend of the eastern and western artistic spirit from ancient to present. This paper is divided into three chapters, the development of Chinese rock painting is combed. The first chapter mainly explores the historical origin of rock color painting from the inheritance relationship between traditional heavy color painting and rock color painting, as well as the reason of rising in the modern recovery. The second chapter discusses the influence of western painting and modern Japanese painting on Chinese rock painting. Firstly, the artistic concept of western painting enlightens the aesthetic expression of rock color painters; the color experience enriches the expression of color and emotion of rock color painting; the form of composition expands the expression form of rock color painting; secondly, The formation and development of Japanese paintings also give some enlightenment to Chinese modern rock paintings. The intervention of science and technology has expanded and upgraded the materials and techniques. The third chapter looks forward to the development direction of rock color painting from the face of modern Chinese rock color painting.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2

【参考文献】