感觉的探索—杜布菲的艺术实践

发布时间：2018-06-17 01:54

本文选题：杜布菲 + 原生艺术　；参考：《中央美术学院》2017年硕士论文

【摘要】：杜布菲的创作一开始便展现出自发性和反文化倾向,这也成为他发现原生艺术的思想基础。杜布菲收藏原生艺术的过程几经波折,而这种独特的艺术也为其创作提供了灵感和启发。原生艺术在混乱的形式下隐藏着自身特殊的表达逻辑,杜布菲对原生艺术的形式和内部特征都有所借鉴,希望艺术在表达内心世界时摆脱理性的绝对统治,把非理性的状态看作为理性的一种补充,从而更直接地表现纯粹的内在感受。同时,杜布菲强调主客观并置且相互作用的基本感知方式,使感觉回归到尚未分化的混沌状态,在看似模糊和游移不定的画面中,展现了世界的内在语言。杜布菲在材料的使用和创作过程中,都展现了偶然性的作用,且采用了自动主义的创作方式,将形式与无形式结合起来,打破了理性与非理性的对立关系,使其作品成为观者进入内在世界的媒介,为创作和观看主体提供更多感知与探索的空间。《咕咕市集》可视为是杜布菲艺术探索总结性的作品,因此本文以此为例,分析了作品的整体构思与形式特点,说明杜布菲通过突破日常经验和理性带来的种种束缚,营造了一个流动的、自由的精神空间,还原了在建立与否定的不断交替中逐步深入的感知过程,并引导观者在观看的过程中重新发掘自我意识。
[Abstract]:Duffy's creation showed spontaneity and anti-cultural tendency from the beginning, which became the ideological basis of his discovery of native art. Duffy's collection of original art has experienced many twists and turns, and this unique art also provides inspiration and inspiration for its creation. The original art hides its own special expression logic in the chaotic form. Duffy draws lessons from the form and internal characteristics of the original art, hoping that the art will be free from the absolute rule of reason when expressing the inner world. The irrational state is regarded as a supplement to reason, thus expressing the pure inner feeling more directly. At the same time, Duffy emphasizes the basic perception mode of subjective and objective juxtaposition and interaction, which returns the feeling to the undifferentiated chaotic state, and shows the inner language of the world in the seemingly fuzzy and uncertain picture. In the process of using and creating materials, Duffy showed the role of chance, and adopted the way of automatism, combining form with no form, which broke the antagonism between rationality and irrationality. Making his works become a medium for the viewer to enter the inner world, and provide more space for the subject to perceive and explore. "Goldengoo Market" can be regarded as the summation of Dubofi's artistic exploration, so this paper takes this as an example. By analyzing the overall conception and formal characteristics of the works, it is shown that Duffy has created a flowing and free spiritual space by breaking through the constraints of daily experience and reason. It restores the process of perception in the alternation of establishment and negation, and guides the viewer to rediscover self-consciousness in the process of viewing.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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