论叙事图像的戏剧性

发布时间：2018-06-17 03:31

  本文选题：文学成像 + 叙事图像　； 参考：《内江师范学院学报》2016年05期

【摘要】：在"文学成像"的研究框架内,探讨画家对众多人物空间位置关系的处理是一个重要内容。人物以侧面成像、呈线性排列的形式使叙事图像获得舞台效果,具有戏剧性。画家像导演一样操纵着叙事过程,让观者置身事外"看到"故事的发生。画家必须以"肯定规则"作为视觉再现的策略,不必站在固定视点观看,观者可以看到在现实中不可能这样看到的场景,这样才能尽量完整地讲述故事。戏剧性的观看对象是舞台艺术和视觉艺术的共同要素,满足了人类最基本的审美需求。
[Abstract]:In the research framework of " Literary Imaging " , it is an important content to explore the processing of the artist ' s relationship with the spatial position of many people . The characters are side - imaged , in a linear arrangement , so that the narrative image can obtain the stage effect and dramaticness . The artist must use the " positive rule " as the strategy of visual reproduction . The painter must take the " positive rule " as the visual reproduction strategy , so as to tell the story as complete as possible . The dramatic viewing object is the common element of the stage art and the visual art , which meets the most basic aesthetic needs of mankind .
【作者单位】： 沈阳师范大学文学院;
【分类号】：J205
，

本文编号：2029480