历史的伤痛记忆—分析基弗绘画艺术中材料符号的意义

发布时间：2018-06-21 03:41

本文选题：安塞尔姆·基弗 + 独特　；参考：《山东建筑大学》2017年硕士论文

【摘要】：本论文以安塞尔姆·基弗艺术话语谱系中特有的标志性符号为研究对象,探究其艺术中材料符号的象征意义。安塞尔姆·基弗以独特的思维方式和低调的行事风格,使其成为当今德国新表现主义的领军人物,尤其在中国被认为是当今全世界范围内最伟大的当代艺术家之一。在对德国历史的审视过程中,基弗像是一个读者、观者、思考者、和认真的探索者一样,基于那段黑暗的历史,其作品中总是以粗犷的冷色和充满悲伤的元素组织画面。他的艺术作品大多是着眼于德国曾经的那段伤痛历史,从这一历史角度出发,对那段历史的批判,用一种赎罪的特殊艺术形式跟思维方式唤起整个人类的回忆和反思。正是因为基弗的这种艺术表现形式被世人称为“德国罪行的考古学家”。基弗对人类世界命运和精神的思考,在当今后现代主义盛行的大环境下显得弥足珍贵。本论文在东西方已有的研究成果基础上,通过行之有效的方法加以论证跟综述。本文不仅仅是用纵向的方法介绍安塞尔姆·基弗的艺术生涯,而是将他的艺术创作放在不同的历史背景下进行探讨和引申,以多维的视角剖析基弗艺术中材料符号所象征的意义。整篇论文主要分为三个部分依次对基弗符号进行探讨;第一部分,阐述基弗所处的历史时代背景,基弗的知识文化构成对其自身艺术形成的影响及作用,以及处在独特历史背景下形成的其艺术的独特性。为探讨基弗话语谱系中符号的独特象征意义打下铺垫。第二部分,梳理基弗绘画中“材料”的表现性及其独特性。第三部分,是本篇论文的重要部分,主要是探究解读了基弗在其艺术创作过程中,将不同的历史文化、不同的艺术符号与图像本来的原型加以融和和变异,再加上基弗本人的独特思想。侧重于通过梳理基弗话语谱系特有的创作符号与历史文化之间的关系,试图寻找出基弗艺术话语谱系中符号的特殊象征意义。
[Abstract]:This thesis focuses on the iconic symbols in Anselm Keefer's artistic discourse pedigree to explore the symbolic significance of material symbols in his art. Anselm Keefer, with his unique way of thinking and low-key style of conduct, has become a leading figure in modern German neo-expressionism, especially in China, which is regarded as one of the greatest contemporary artists in the world. In his review of German history, Keefer is like a reader, viewer, thinker, and a serious explorer, based on that dark history, whose work is always organized with rugged coldness and sadness. Most of his works of art focus on the painful history of Germany. From this historical point of view, the criticism of that history, with a special art form of atonement and a way of thinking, evokes the memory and reflection of the whole human being. It was because of Kiefer's artistic expression that the world called it "the archaeologist of German crime." Keefer's thinking about the fate and spirit of the human world is very precious under the prevailing environment of postmodernism. This paper is based on the existing research results of the East and West, through effective methods to demonstrate and summarize. This paper not only introduces Anselm Keefer's art career in a vertical way, but also discusses and extends his artistic creation in different historical backgrounds. This paper analyzes the symbolic meaning of material symbols in Keefer's art from a multi-dimensional perspective. The whole paper is divided into three parts to discuss Keefer's symbol in turn. The first part expounds the historical background of Keefer, the influence and effect of Kiefer's knowledge and culture on his own art formation. And in the unique historical background of the formation of its unique art. It lays the groundwork for the discussion of the unique symbolic meaning of the symbols in Keefer's discourse pedigree. The second part combs the expressiveness and uniqueness of material in Keefer's painting. The third part, which is an important part of this paper, mainly explores and interprets Keefer's original archetypes of different historical culture, different artistic symbols and images in the process of his artistic creation. Coupled with Keefer's own unique ideas. By combing the relationship between the unique creation symbols and historical culture of Keefer's discourse genealogy, the author tries to find out the special symbolic significance of the symbols in Kiefer's artistic discourse genealogy.
【学位授予单位】：山东建筑大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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