从“徐黄体异”看没骨花鸟画初期的艺术特色

发布时间：2018-06-21 20:42

本文选题：没骨花鸟画 + 初期艺术特色　；参考：《浙江大学》2017年硕士论文

【摘要】：本文基于五代、宋初花鸟画独立成科以及花鸟画技法相对成熟的时代背景来对没骨花鸟画早期的艺术特色进行研究。通过对没骨画的源起、定义、确立者等方面的梳理,概括总结出没骨画产生的重要意义及影响。着重以五代最具代表性且密切相关的两位花鸟画画家——黄筌与徐熙作为重点研究对象,通过对二者身份、性情、生活环境、绘画题材、技法表达形式等诸方面的对比,归纳出徐黄二体各自的绘画特点,同时论证二者之间存在的相同性特征,并进一步阐述黄氏体制在此期间占据统治地位的原因。徐崇嗣以徐黄二体为基础,进一步发展、完善没骨花技法,概括出徐崇嗣没骨花的独特艺术风貌,肯定徐崇嗣在二者基础上对没骨花继承与发展作出的贡献。通过对五代、宋初这三位最具代表性的画家及其绘画艺术风格的比较研究,进而梳理、揭示出三者的相异、相同、相继发展的艺术内在本质,从而总结概括出没骨花鸟画初期的艺术特色,并且引发绘画实践者对没骨花鸟画的反思与启示,开拓绘画实践者对没骨花鸟画技法的借鉴与吸收。
[Abstract]:This article based on the five dynasties, the early Song Dynasty flower and bird painting independent family and flower and bird painting techniques are relatively mature background of the era to study the early artistic characteristics of flower and bird painting without bones. By combing the origin, definition and establishment of non-bone painting, the significance and influence of non-bone painting are summarized. Focusing on the two most representative and closely related flower-and-bird painters of the five dynasties, Huang Quan and Xu Xi, as the key research objects, through the comparison of their identities, temperament, living environment, painting themes, techniques and expressions, etc. This paper sums up the painting characteristics of Xu Huang's two bodies and demonstrates the same characteristics between them, and further expounds the reason why Huang's system occupied the dominant position during this period. On the basis of Xu Huang two-body, Xu Chongsi further developed and perfected the techniques of no bone flower, summarized the unique artistic style and features of Xu Chongsi without bone flower, and affirmed the contribution of Xu Chongsi to the inheritance and development of the flower without bone on the basis of them. Through a comparative study of the three most representative painters of the five dynasties and the early Song Dynasty and their painting artistic styles, and then combing out the intrinsic nature of the three different, identical and successive development of art, In order to sum up the early artistic characteristics of the flower and bird painting, and lead to the reflection and inspiration of the painting practitioners to the boneless flower and bird painting, and explore the painting practitioners to use for reference and absorption of the techniques of the flower and bird painting without bone.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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