试论界画的发展与审美

发布时间：2018-06-24 23:36

本文选题：界画 + 建筑　；参考：《江西科技师范大学》2013年硕士论文

【摘要】：纵观中国古代画论中，界画常常是被摆在一个“匠人所为”的位置上，被认为只是一种绘画的技巧并无气韵可言，此等的论断不免是对界画这一古老艺术门类的偏见和误解。实际上，在古代绘画历史的发展进程中，界画多数是为画家们所接受和绘制的，甚至是为宫廷及画院所赏识和提倡，有过其光辉繁荣的历史时期。而画论之中对界画的提及却是只言片语，并没有针对性的做专门研究。与水墨写意画的逸笔草草不求形似相区别，，界画追求的是一种构筑于规矩法度和笔墨意趣之间的独特审美。本文旨在重新梳理界画的历史渊源和发展脉络，尝试着系统的对其有所新的认识；通过从其本身的艺术特色以及她对传统文化的体现等方面，对其独特的审美内涵作出分析和研究。笔者仅希望能借助本文的研究，能使得更多的艺术家和民众对界画这门古老的艺术门类有所全面的认识和了解，同时能对更多的参与传承和发展界画艺术的同路人有所帮助。以更好的实现界画艺术在当今时代再度重现光辉。
[Abstract]:In the ancient Chinese painting theory, the boundary painting is often placed in the position of "the craftsman". It is thought that only a kind of painting skill has no rhyme. This judgment is not only the prejudice and misunderstanding of the ancient art category of boundary painting. In fact, in the course of the development of ancient painting history, the boundary painting is mostly for the painters. The acceptance and drawing, even for the court and the painting academy, had its glorious and prosperous historical period. And the reference to the painting in the painting theory was only a few words, and there was no specific research on it.
The purpose of this article is to re comb the historical origin and development context of the painting, and try to make a new understanding of it, through its own artistic features and her traditional text. The author hopes that more artists and people can have a comprehensive understanding of the ancient art category of boundary painting, and can help more people who are involved in the inheritance and development of the art of art. Well, the realization of the art of painting is reappearing again in today's era.
【学位授予单位】：江西科技师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】