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王蒙《丹山瀛海图》的艺术特点与创作年代探论

发布时间:2018-06-25 03:48

  本文选题:王蒙 + 《丹山瀛海图》 ; 参考:《安徽大学》2013年硕士论文


【摘要】:本论文主要对王蒙作品之一的《丹山瀛海图》的创作年代及审美价值进行探索。此画从布局、用笔、题材上都与王蒙的其他作品有很大区别,属于别体之作。大部分传世作品表现植被浓郁山景、层峦茂密的画格,以表现笔下山体“望之郁然深秀”的境界。此图为横幅,以大片海水包围群山岛屿,树林茂密,楼阁掩映,连接彼岸的小桥似乎反映着画家内心隐与仕的矛盾心理。此卷取鉴南宋山水开合分明、黑白判然、大虚大实的空间结构。以中锋用笔为主,山石多用解索皴,焦墨点苔,特别显示画中点与线组合的整体效果,属王蒙作品中只勾皴而少擦染一类。王蒙一生的山水创作之图式与风格演变固然有其内在发展趋势,把他的作品按创作时间先后进行排列,从而进行分析比较,对于今天的山水画研究者了解王蒙笔墨技法及内在思想变化有着实际的指导意义。本文从《丹》卷入手,综合各方面运用考据学、对比研究、图像学等方法对该画进行多视角的分析,进而对其创作年代进行合理的推断。
[Abstract]:This thesis mainly explores the creation age and aesthetic value of one of Wang Meng's works, "Danshan Ying Hai Picture". This painting is very different from Wang Meng's other works in layout, pen and subject matter. Most of the works show rich vegetation mountain scenery, lush layers of painting, to express the mountain style of "the gloomy depth of hope" realm. This is a banner, surrounded by vast sea water, dense woods, pavilions, connecting the other side of the bridge seems to reflect the artist's inner hidden and official ambivalence. This coils the Southern Song Dynasty landscape open and close clear, black and white judgment, big virtual large solid spatial structure. With the center front pen as the main, the mountain stone more use to solve the rope chapped, the coke ink spot moss, specially displays the overall effect which the picture midpoint and the line combination, belongs to the Wang Meng work only tick chapped but scrubes the first kind. The schema and style evolution of Wang Meng's life landscape creation certainly has its inherent development trend, so his works are arranged according to the time of creation, and then analyzed and compared. For today's landscape painting researchers to understand Wang Meng pen and ink techniques and internal ideological changes of practical significance. In this paper, the author analyses the painting from the angle of view by using the methods of textual research, comparative study and imageology in order to infer the time of its creation from the angle of "Dan" involved in the hand, synthetically using the methods of textual research, comparative study, and imageology in all aspects.
【学位授予单位】:安徽大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

【参考文献】

相关期刊论文 前1条

1 张瑞;;论王蒙、倪瓒山水画的意境美[J];艺术教育;2009年02期



本文编号:2064422

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