福建当代本土漆画的审美特征研究

发布时间：2018-06-26 08:23

本文选题：福建漆画 + 审美特征　；参考：《浙江理工大学》2017年硕士论文

【摘要】：中国漆画是一个既古老又年轻的画种,它的古老是因为中国漆艺术已有7000年的发展历史,但真正将漆画作为独立画种存在,大致可以说是从1984年第六届全国美展开始的,至今不过短短几十年时间。福建作为中国漆画发展的重要地区,拥有丰富的漆艺文化资源,在全国有着很大的影响力。福建漆画发展的每个时期都有着不同的审美面貌,且具有极强的传承性。艺术的发展是伴随着时代发展而发展的,漆画亦是如此。在多元化的审美文化语境下的今天,各种新观念的冲击使当下大众的审美风尚也不断发生变化,多元化的审美风尚逐渐成为主流。时代与审美的变化,无疑给当下福建漆画发展提出了新的挑战。所以,如何既要顺应时代新的审美理念和要求,同时具备自身独特的艺术语言和创作理念,并且能在当代艺术中更好地继承与发展,是今后福建漆画艺术发展必然面对的课题。本论文笔者依据在福建地区的大量实地考察、学习和研究,从艺术审美的角度探索福建漆画与闽南文化的发展与创新,充分考虑当下时代背景与国内外研究现状,并结合新媒体、新材料等创新形式,多维度深入探究了福建漆画的审美特征与未来发展。本论文主要从以下几个方面进行研究:一、对福建漆画的发展脉络的梳理与概述。文中主要梳理了福建漆画的发展脉络及其国际交流等,介绍其各个时期不同的审美形态与表现特征。二、通过福建漆画的绘画风格、色彩语言、题材内容、形式表达等具有艺术元素的分析探讨,结合闽南地域文化探究福建漆画的审美特征及艺术价值。三、从新的视觉角度出发,结合新媒体艺术的跨界影响研究福建漆画的艺术观念,重点对福建漆画的创新形式与艺术语言进行深入剖析,以此论证福建当代漆画在新媒体艺术上的审美价值。四、依据福建漆画在当下的发展趋势,从多角度探讨了福建当代本土漆画的审美特征,未来拓展与思考。在多元化的审美文化语境下,福建当代漆画如何继承与创新的问题,为每一位艺术家提出了重要探寻课题,所以漆画艺术的发展,不仅要求漆画家要熟悉当代漆画创作的一般性问题和审美文化语境,更应突出个性思维,更新艺术观念,紧跟时代步伐,表现当代人们的精神状态的同时,积极开拓多元化艺术风格并存的审美文化空间,使福建漆画焕发出新的艺术魅力。相信不久的将来,福建漆画必将迎来下一个发展高峰。
[Abstract]:Chinese lacquer painting is a kind of painting that is both ancient and young. Its ancient reason is that Chinese lacquer art has a history of 7,000 years, but the existence of lacquer painting as a kind of independent painting can be said to have started from the sixth National Art Exhibition in 1984. So far it has been only a few decades. Fujian, as an important area in the development of Chinese lacquer painting, has abundant lacquer culture resources and has great influence in the whole country. Each period of the development of Fujian lacquer painting has different aesthetic features and has a strong inheritance. The development of art is accompanied by the development of the times, lacquer painting is the same. In the context of diversified aesthetic culture today, the impact of a variety of new ideas makes the current aesthetic fashion of the public also constantly changing, diversified aesthetic fashion gradually become the mainstream. The change of times and aesthetics undoubtedly poses a new challenge to the development of lacquer painting in Fujian. Therefore, how to adapt to the new aesthetic ideas and requirements of the times, at the same time have their own unique artistic language and creative ideas, and can better inherit and develop in contemporary art, is the future development of Fujian lacquer painting inevitably facing the subject. Based on a large number of field visits, studies and studies in Fujian, the author explores the development and innovation of Fujian lacquer painting and Minnan culture from the angle of artistic aesthetics, and fully considers the background of the present era and the current research situation at home and abroad. Combined with new media, new materials and other innovative forms, this paper probes into the aesthetic characteristics and future development of Fujian lacquer painting. This thesis mainly carries on the research from the following several aspects: first, combs and summarizes the Fujian lacquer painting development vein. This paper mainly combs the development of Fujian lacquer painting and its international communication, and introduces the different aesthetic forms and performance characteristics of each period of Fujian lacquer painting. Second, through the analysis and discussion of the artistic elements of Fujian lacquer painting, such as painting style, color language, subject matter, form expression and so on, the aesthetic characteristics and artistic value of Fujian lacquer painting are explored in combination with the regional culture of South Fujian. Third, starting from a new visual angle, combining the cross-border influence of new media art to study the artistic concept of Fujian lacquer painting, focusing on the in-depth analysis of the innovative forms and artistic language of Fujian lacquer painting. In order to demonstrate the aesthetic value of Fujian contemporary lacquer painting in the new media art. Fourthly, according to the current development trend of Fujian lacquer painting, this paper discusses the aesthetic characteristics, future development and thinking of Fujian contemporary local lacquer painting from various angles. In the context of diversified aesthetic culture, the problem of how to inherit and innovate the contemporary lacquer painting in Fujian has put forward an important subject for every artist, so the development of lacquer painting art, It not only requires painters to be familiar with the general problems of contemporary lacquer painting creation and aesthetic cultural context, but also should highlight individual thinking, renew artistic concepts, keep up with the pace of the times, and express the spiritual state of contemporary people at the same time. Actively exploring the aesthetic and cultural space of the coexistence of diversified artistic styles, Fujian lacquer painting radiates new artistic charm. I believe that in the near future, Fujian lacquer painting will usher in the next peak development.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213.9

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