齐白石1902年西安之行对其绘画风格的影响

发布时间：2018-06-28 12:05

本文选题：西安之行 + 绘画风格　；参考：《陕西师范大学》2015年硕士论文

【摘要】：齐白石是我国20世纪最伟大的画家之一,他以木工出身,却在自己的不懈追求下成为一位入俗而得雅赏的艺人,用最为普通平凡的题材创造出了艺术的奇迹。齐白石幼时因家庭贫苦、身体孱弱而学木匠,此后他凭借自己的努力和聪明才智从一位普通的木匠转而成为画师,并在恩师胡沁园和众多朋友的帮助下不断提升自身修养,成为一位具有相当文化素质的画师。在其40岁时,齐白石受好友夏午诒的邀请赴西安教姚无双学画,后又跟随夏午诒至北京；此间虽不足一年,但在这段时间里,齐白石游历了西安碑林、大雁塔、华清池等古迹名胜,结识了著名诗人樊樊山,饱览了众多古代名画真迹,在李筠庵处接触到了魏碑,眼界为之大开。首次离开湖南远赴北方,一路的自然风光和人文风情让齐白石的生活阅历进一步丰富,也进一步验证了古人作品和艺术理论中的真谛。因而,1902年的西安之行作为齐白石一生中首次走出湖湘地区,对于他眼界的开阔、知识面的丰富、艺术体验的增强、书法修为的提升、艺术观念的转变等诸多方面都有着无可替代的作用和意义,亦为齐白石的“衰年变法”和此后的艺术成就奠定了基础地位。本文的第一章绪论,主要论述了齐白石1902年西安之行对其绘画风格的影响的研究意义,有助于我们更好的了解齐白石第一次远行。第二章主要结合齐白石的生平、背景对其1902年西安之行进行简要概述,并分析其西安之行的动因。第三章主要论述齐白石1902年西安之行对其绘画风格的影响,从西安之行前后的书风、画风、艺术观念等进行对比分析,逐渐由工细一路转向写意之风。第四章主要论述了陕西师范大学图书馆馆藏刑徒砖拓片与齐白石早期书风的渊源,骨力雄健、气韵通灵,寓古拙之美于画中。总的来说,本文在前人有关齐白石的论述的基础上,对其1902年西安之行进行系统的阐述,以对齐白石的首次出行能有新的认识,从不同于以往的角度来全面研究齐白石1902年西安之行对其绘画风格的影响。
[Abstract]:Qi Baishi is one of the greatest painters in the 20th century in our country. He was born in carpentry, but he became an entertainer of vulgarity under his unremitting pursuit, and created the miracle of art with the most ordinary subject matter. Qi Baishi became a carpenter when he was young because of his poor family and weak health. After that, he turned from an ordinary carpenter to a painter with his own efforts and ingenuity, and with the help of teacher Hu Qinyuan and many friends, he continued to improve himself. Become a painter with quite a cultural quality. At the age of 40, Qi Baishi was invited by good friend Xia Wuyi to Xi'an to teach Yao Wu-yi painting, and then went to Beijing with Xia Wu-yi. Although it was less than a year ago, Qi Baishi visited the Forest of Steles and the Big Wild Goose Pagoda in Xi'an during this period. Huaqingchi and other historic sites, known the famous poet Fan Shan, a lot of ancient paintings of the original, in Li an Junjun contact Wei tablet, open the horizon for it. Leaving Hunan for the north for the first time, the natural scenery and human amorous feelings along the way further enriched Qi Baishi's life experience, and further verified the true meaning of ancient works and art theory. Therefore, the trip to Xi'an in 1902, as the first time in Qi Baishi's life to go out of Huxiang area, opened his horizons, enriched his knowledge, enhanced his artistic experience, and promoted his calligraphy practice. The change of artistic concept has irreplaceable function and significance, and it also lays a foundation for Qi Baishi's "declining year Reform" and later artistic achievements. The first chapter of this paper is an introduction, which mainly discusses the significance of the study on the influence of Qi Baishi's visit to Xi'an in 1902 on his painting style, which is helpful for us to better understand Qi Baishi's first long trip. The second chapter mainly combines the life of Qi Baishi, the background of Xi'an in 1902 briefly summarized, and analyzed the motivation of his visit to Xi'an. The third chapter mainly discusses the influence of Qi Baishi's visit to Xi'an in 1902, from the book style, painting style, artistic concept before and after the trip to Xi'an, and gradually changes from meticulous to freehand brushwork. The fourth chapter mainly discusses the origin of the brick rubbings in the library of Shaanxi normal University and Qi Baishi's early book style. In general, based on the previous exposition about Qi Baishi, this paper systematically expounds the trip to Xi'an in 1902 in order to have a new understanding of the first trip of Qi Baishi. This paper studies the influence of Qi Baishi's visit to Xi'an in 1902 on his painting style from a different point of view.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

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