苏轼书画理论美学思想探析

发布时间：2018-06-28 21:27

本文选题：苏轼 + 书画理论　；参考：《内蒙古师范大学》2013年硕士论文

【摘要】：苏轼是中国古代少有的诗词文书画样样精通的文艺全才，他以各种艺术形式随性适意地宣泄抒写人生，也用自己萧散随意的人生开创艺术的新境界。苏轼的美学思想集中展现在他对于各种艺术形式的理论阐释中，其中诗论、词论、文论中的美学思想已多为人关注，而其书法与绘画艺术理论中包涵的美学思想也弥足珍贵。本文以中国传统的文学研究方法为主，结合苏轼的人生经历与精神思想，对苏轼的书论和画论作深入细微的理论分析，力图在较为宽广的文化背景下总结归纳苏轼书画艺术论中蕴涵的美学思想。文章选取了苏轼书画艺术论中比较突出的美学思想进行论析：其一，师法自然，从物我两忘以达到审美的自然、展现审美客体的自然之态、实现淡泊简远的审美理想等三个方面，详尽系统地论述了苏轼对文艺创作中创作前的准备、创作过程本身、创作结果显现等各个阶段提出的“自然”要求；其二，论道与艺，从有道有艺、以道统艺与技道两进等方面论述苏轼对道与艺及二者关系的认知；其三，，论物与意，重点分析了苏轼寓意于物、不为物限的美学主张；其四，论形与神，从以形传神、形神兼备与得物之神、传神写意两个层面阐释了苏轼对于形神关系的理解。通过对苏轼书画理论中美学思想的分析可知，苏轼的艺术创作是对生命精神的艺术追求，是对心灵世界进行的艺术渲染，只有从精神实质上把握苏轼的美学思想的内涵，才能真正理解生活在北宋时代的苏轼；本论文对苏轼书画理论进行相对综合的研究，也意在使当代的艺术创作者知晓各种艺术文化要素综合产生的意义。
[Abstract]:Su Shi is a rare literary and artistic generalist in ancient China. He expresses his life with various artistic forms and creates a new realm of art with his casual life. Su Shi's aesthetic thoughts are concentrated in his theoretical interpretation of various artistic forms, in which the aesthetic thoughts in poetry theory, ci theory and literary theory have been paid more attention to, and the aesthetic thoughts contained in his calligraphy and painting art theories are also precious. Based on the traditional Chinese literature research method, combined with Su Shi's life experience and spiritual thought, this paper makes a deep and subtle theoretical analysis of Su Shi's book theory and painting theory. Try to sum up and sum up Su Shi's aesthetic thoughts in calligraphy and painting art theory under the broad cultural background. The article selects Su Shi's outstanding aesthetic thought in calligraphy and painting art theory to analyze: first, to learn from nature, to achieve aesthetic nature and to show the natural state of aesthetic object. In order to realize the aesthetic ideal of simple and distant, the author discusses in detail the "natural" requirements put forward by Su Shi in various stages of literary creation, such as the preparation before creation, the creation process itself, the manifestation of the creation result, and so on; secondly, on Tao and art, This paper discusses Su Shi's cognition of Tao and art and their relationship from the aspects of youdao art and technology. Thirdly, on matter and meaning, Su Shi focuses on his aesthetic proposition of meaning in matter, not in material limit. Fourth, he discusses form and spirit. This paper explains Su Shi's understanding of the relationship between form and spirit from two aspects: form and spirit, both form and spirit, and spirit and freehand brushwork. Through the analysis of the aesthetic thought in Su Shi's calligraphy and painting theory, it can be seen that Su Shi's artistic creation is the artistic pursuit of the life spirit and the artistic rendering of the spiritual world, and only the connotation of Su Shi's aesthetic thought can be grasped from the spiritual essence. In order to truly understand Su Shi, who lived in the Northern Song Dynasty, this paper makes a relatively comprehensive study of Su Shi's calligraphy and painting theory, which is also intended to make contemporary art creators know the significance of synthesizing various artistic and cultural elements.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J201

【参考文献】