任伯年粉彩花鸟画风格成因及其技法探究

发布时间：2018-06-28 22:19

本文选题：任伯年 + 粉彩花鸟画　；参考：《西南大学》2015年硕士论文

【摘要】：任颐(1840—1896),浙江山阴人,字伯年,号次远,原名小属,初名润,是海上画派的代表人物,擅长人物、花鸟和山水,是位全能型的画家。与吴昌硕、虚谷、蒲华并称“清末海派四杰”。任伯年粉彩花鸟画风格独特,技法精到,他所涉及到的领域十分广泛,工笔、没骨、写意样样精通,在继承传统画法的同时,又吸收西画、日本画的用色方法,通过不断的尝试与练习,最终形成他个人的独特画貌。对后世的画坛产生深远的影响,也对本人的粉彩花鸟画学习有很大的启发。本论文的撰写主要分为以下四个部分：第一部分主要做文献综述的研究,包括本选题研究缘由、文献综述、研究对象及核心概念的界定、主要研究方法及意义等；第二部分主要是任伯年粉彩花鸟画风格概述及其成因分析；第三部分为任伯年粉彩花鸟画技法的研究,分别从任伯年粉彩花鸟画中运用到的粉彩渲染法、撞水撞粉法、粉彩点写法、勾勒填粉法、用粉勾筋法、衬托法这几种技法进行具体的解读,并举例分析；第四部分是任伯年粉彩花鸟画对后世的影响及当代启示。其中第二和第三部分是本论文的研究重点。本人通过对任伯年相关资料的收集和整理,发现近些年来研究任伯年绘画艺术的文章极其丰富,在对其研究的文献中专门针对任伯年粉彩花鸟画的研究甚少,多数资料中虽有涉及,也只是零星论述,缺乏专题研究,没有系统的针对这一点进行阐述。任伯年在各个时期的绘画作品几乎都完整的保留了下来,这是一笔宝贵的财富,值得后人去认真的临摹学习,也给我们研究他的绘画技法提供了丰富的资源,因此该论题十分有研究的价值和意义。该论文希望通过对任伯年粉彩花鸟画的解读与分析,使大家更加全面的了解任伯年及其精湛的用粉技法,激起大家对粉彩花鸟画的学习兴趣,希望对今后的学者们研究任伯年的绘画艺术起到一定的帮助、参考作用,同时也可以使本人提高绘画技法,从而推动促进小写意花鸟画的学习和创作。
[Abstract]:Ren Yi (1840-1896), Zhejiang Shanyin people, word Bonian, number far, the original name of small genus, the first name run, is a representative of the sea painting figures, flowers and birds and landscape, is a versatile painter. And Wu Changshuo, Huigu, Puhua and also known as "the late Qing Dynasty, the four main Shanghai School." Ren Bonian Pink Flower and Bird painting has a unique style and fine techniques. He is involved in a wide range of fields. He is proficient in fine brushwork, boneless, freehand brushwork, while inheriting the traditional painting methods while absorbing the methods used in Western painting and Japanese painting. Through constant attempt and practice, he finally formed his unique painting and appearance. It has a profound influence on the painting world of later generations, and also has great inspiration to my study of pink flower and bird painting. The writing of this thesis is divided into the following four parts: the first part mainly studies the literature review, including the research reason, the literature review, the definition of the research object and the core concept, the main research method and the significance; The second part is an overview of the style of Ren Bonian Pink Flower and Bird painting and the analysis of its causes. The third part is the study of Ren Bonian Pink Flower and Bird painting techniques, which are respectively used in Ren Bonian Pink Flower and Bird painting. Pink point writing method, drawing and filling powder method, with the powder hook method, the contrast method of these techniques for specific interpretation, and analysis of examples; the fourth part is the impact of Ren Bonian pink flower and bird painting on the future and contemporary enlightenment. The second and third parts are the focus of this paper. Through the collection and collation of Ren Bonian related materials, I find that in recent years, the research on the art of Ren Bonian painting is extremely rich, and in the literature of its research, there is little research on Ren Bonian pink flower and bird painting. Most of the materials are concerned, but also sporadic, lack of special research, there is no systematic elaboration of this point. Ren Bonian's paintings in all periods are almost completely preserved, which is a valuable wealth, worthy of careful copy learning, but also for us to study his painting techniques to provide rich resources, Therefore, the topic is of great value and significance. This paper hopes that through the interpretation and analysis of Ren Bonian pink flower and bird painting, we can understand Ren Bonian and its exquisite powder technique more comprehensively, and arouse people's interest in the study of pink flower and bird painting. Hope that the future scholars to study Ren Bonian painting art play a certain role in reference, but also make me improve painting techniques, thus promoting the study and creation of small freehand brushwork flowers and birds painting.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

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