没骨山水画的形式语言研究

发布时间：2018-06-29 13:59

本文选题：没骨山水 + 语言形式　；参考：《西安美术学院》2013年硕士论文

【摘要】：没骨山水画作为中国传统山水画体系的重要组成部分，在一千多年长期的历史发展过程中已形成了独特的艺术面貌。中国传统山水画的表现形式使以线为造型的绘画艺术已经达到全面，新的创新成为历史的极限。当代我们要说到一种新山水形式的发展，则会提起与传统山水画形式别具一格的绘画表现形式——没骨山水画。没骨山水画与传统山水画一样，是人对世界与万物认知的表现，也是人们精神艺术与视觉艺术的桥梁。但是，当前我们看到的没骨山水画，只注意到它与以线造型的传统山水画形式之间的异同，往往忽视了二者之间内在的精神关联。表现形式虽各有不同，但更应该重视没骨山水画在长期的历史发展过程中诸多元素之间的复杂关联所涉及的众多层面，并在其中找到与传统山水画创作基点与之相符合的契合方面。而不仅仅是停留在外在形式上的研究，，从不同的视觉效果上将其简单化。因此，如果我们忽视了没骨山水画与中华传统民族精神在其本质内涵上的联系，就不能真正深入的认识没骨山水画的精神内涵，在一定程度上也阻碍了中国山水画形式的发展。
[Abstract]:As an important part of the Chinese traditional landscape painting system, the landscape painting with no bones has formed a unique artistic appearance in the long history of more than one thousand years. The expression form of Chinese traditional landscape painting makes the line-based painting art has reached a comprehensive, new innovation has become the limit of history. When we talk about the development of a new form of landscape painting, we will mention the unique form of painting with the traditional form of landscape painting-boneless landscape painting. As with the traditional landscape painting, the boneless landscape painting is the expression of people's cognition of the world and all things, and the bridge between spiritual art and visual art. However, at present, we only notice the similarities and differences between the boneless landscape painting and the traditional landscape painting with line modeling, and often ignore the spiritual relationship between them. Although the forms of expression are different, we should pay more attention to the many aspects involved in the complex connection between many elements in the long historical development process of landscape painting without bones. And in which to find with the traditional landscape painting creative basis point and it is in line with the aspects. It is not just the study of external form, which is simplified from different visual effects. Therefore, if we ignore the relationship between the Bones and the traditional Chinese national spirit, we can not really understand the spiritual connotation of the Bones, and to some extent hinder the development of the Chinese landscape painting.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】