中国传统山水画与中国风景油画的融合

发布时间：2018-06-29 11:45

本文选题：中国传统山水画 + 中国风景油画　；参考：《湖南师范大学》2013年硕士论文

【摘要】：在东方乃至世界艺术中,中国的山水画都有着非常重要的地位与影响。在中国山水画创作中,画者都会追求“空灵”、“含蓄”和“笔墨情趣”,讲究“气韵生动”在表现形式上要求诗、书、画融为一体,强调“外师造化,中得心源”,讲究“以形写神”,提倡“天人合一”的艺术精神。以中国传统山水画为鉴,努力营造一个属于画家内心的“精神世界”是绘画艺术的最终目的。油画是从西方传入东方的一种绘画艺术形式,它在发展过程必然会受到中国传统绘画元素的影响。在这些年的发展过程中,我国的油画家们不断从中国传统绘画中汲取营养,探询并摸索油画的中国化、民族化。风景油画在我国的发展时间很短,刚开始是很不受重视的。但是,通过绘画前辈们不懈的努力,风景油画也日益走向欣欣向荣。如今,风景油画已成为中国绘画不可分割的一部分。在这繁荣的背后,一些风景画家深感迷惘：该如何清晰认识我国现如今的风景油画现状?“传统”对于中国美术是绕不开的话题与课题,尤其是我国传统山水画与中国风景油画融合的定义、方向、具体融合点等等都不甚明确。我们一定要对我国传统山水画中的元素与山水精神进行很好的梳理、归纳与分析。本文从中国山水画理论入手,先对中国山水画的发展历史和它各时期的特点以及山水画的一些种类与技法,还有其透视特点进行了深入的研究,并对中国当代风景油画的发展以及现状进行阐述,使之整体把握当代风景油画的研究轮廓。同时以赵无极、朱德群、吴冠中、苏天赐、张东峰、赵开坤、陈和西等中国当代风景油画家为例,探讨他们作品中的传统山水画情结。
[Abstract]:In the oriental and even world art, Chinese landscape painting has a very important position and influence. In the creation of Chinese landscape paintings, painters will pursue "idols", "implicature" and "pen and ink taste", pay attention to "vivid charm" in the form of expression requirements for poetry, books, paintings as a whole, emphasizing "outside teachers to create, in the heart of the source." Pay attention to "write God with form", advocate the artistic spirit of "harmony of nature and man". Taking Chinese traditional landscape painting as a mirror, it is the ultimate aim of painting art to build a "spiritual world" which belongs to the painter's heart. Oil painting is a form of painting art introduced from the West to the East, which is bound to be influenced by the elements of traditional Chinese painting in the course of its development. In the course of the development of these years, Chinese oil painters continue to draw nutrients from traditional Chinese painting, inquire and explore the localization of oil painting in China. The development time of landscape oil painting in our country is very short, at first it is very unvalued. However, through the unremitting efforts of the predecessors of painting, landscape oil painting is also increasingly flourishing. Nowadays, landscape painting has become an inseparable part of Chinese painting. Behind this prosperity, some landscape painters feel perplexed: how to clearly understand the present situation of landscape painting in our country? "tradition" is an inextricable topic and topic for Chinese fine arts, especially the definition, direction and concrete integration point of Chinese traditional landscape painting and Chinese landscape oil painting are not very clear. We must sort out, sum up and analyze the elements and spirit of Chinese traditional landscape painting. Starting with the theory of Chinese landscape painting, this paper makes a deep research on the development history of Chinese landscape painting, the characteristics of its various periods, some kinds and techniques of landscape painting, and its perspective characteristics. And the development and present situation of Chinese contemporary landscape oil painting are expounded to make it grasp the research outline of contemporary landscape oil painting as a whole. At the same time, taking Zhao Wuji, Zhu De Group, Wu Guanzhong, Su Tianzi, Zhang Dongfeng, Zhao Kaikun, Chen Hexi and other Chinese contemporary landscape oil painters as examples, this paper discusses the traditional landscape painting complex in their works.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】