都市水墨语言分析

发布时间：2018-07-01 12:05

本文选题：都市题材 + 水墨人物画　；参考：《中央美术学院》2013年硕士论文

【摘要】：第一章首先对水墨人物画的发展历程进行了一个简短的梳理,并通过对徐悲鸿,蒋兆和,周思聪等诸多艺术家的分析将整个论文从艺术发展史以及学术史的梳理中直接带入到“水墨人物与都市题材相遇并融合”这个主题上来。第二章则主要分三个部分来阐释当代都市水墨人物画的发展状况：首先分析了其发展的背景和原因：西方先进的艺术思潮是外在助推力,它促使了对多元化的艺术语言的探索,为新时代关注当下的都市水墨人物画的发展提供了条件；而社会内部结构的变革则成为艺术发展的内在动因。其次分析了其形式语言特征：都市水墨人物画家在探索中发展出一套与当代社会价值体系和他们自身价值体系相吻合的形式语言。它的两个特点：即“当下性”与“民族性”。最后分析了其与传统水墨人物画的区别：即造型上的灵动性、构图上的随意性、以及材料上的丰富性,如此在增强图像本身的视觉冲击力的同时,也扩展了传统绘画的表现空间。而在时代风格上,积极寻求并适应大众的审美需要,直达生活的地面。继而有针对性的对当代都市水墨艺术家的实践探索进行了个案分析：即田黎明在画面呈现上的纯净淡雅、刘庆和在形象塑造上的生动诙谐、以及王彦萍以其女性视角再现心境与生活的交织。第三章则谈到了其对创作的启示和影响,包括如下四个方面：首先是创作态度上的真诚；其次是创作方法上要注重交流,既有与模特儿四目相对的观察与沟通,更是画家自身通过模特儿反观自身,对自己心灵的对话；第三是对自己的要求,那就是在熟练掌握绘画特性的基础上要多练,量的积累永远都重要；第四是一个展望,笔者坚信,都市题材与水墨人物画的结合已经起了诸多的关注,而在探索绘画与当下社会、文化的对话中,都市水墨人物画必将贡献其独特的力量。
[Abstract]:In the first chapter , a brief review is made on the development course of the ink and ink painting , and through the analysis of many artists such as Xu Beihong , Jiang Zhaohe and Zhou Siong , the whole paper is brought directly into the theme of " Meeting and merging the characters of the ink and the city " from the combing of the history of art development and the academic history .

Chapter 2 is divided into three parts :

Firstly , the background and reasons of its development are analyzed : the advanced western art trend is the external boost , it promotes the exploration of the pluralistic art language , and provides the conditions for the new era to pay attention to the development of the contemporary Chinese ink and ink painting .
The change of the internal structure of society becomes the intrinsic motivation of art development .

Secondly , it analyses the characteristics of its formal language : the urban water - ink figure painter developed a formal language which accords with the contemporary social value system and their own value system in the exploration . It has two characteristics : " current " and " nationality " .

At last , the differences between traditional Chinese ink and ink painting are analyzed : the flexibility on the model , the randomness of the composition and the richness of the material , so as to enhance the visual impact force of the image itself , it also expands the expression space of the traditional painting , and in the times style , actively seek and adapt to the aesthetic needs of the public and reach the living ground .

Then , the author makes a case study on the practical exploration of contemporary urban water - ink artists : the pure and elegant appearance of Tian Li Ming in the picture , Liu Qing and the vivid witty humor in the image shaping , and Wang Yanping ' s interweave of the mood and life with its female perspective .

Chapter Three discusses its inspiration and influence on creation , including the following four aspects : Firstly , it is the sincerity of creative attitude ;
Secondly , it should pay attention to the communication in the creation method , not only the observation and communication with the four eyes of the model , but also the dialogue between the painter himself and the model .
The third is to ask oneself , that is to master the painting characteristic on the basis of practice , the accumulation of quantity is always important ;
The fourth is a perspective , the author firmly believes that the combination of urban theme and ink - ink painting has attracted many attention , while in exploring the dialogue between painting and the present society and culture , urban water and ink figure painting will contribute its unique power .
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】